Picturing Imperial Power: Colonial Subjects in Eighteenth-century British Painting
Duke University Press, 1999 - 306 من الصفحات
This study of colonialism and art examines the intersection of visual culture and political power in late-eighteenth-century British painting. Focusing on paintings from British America, the West Indies, and India, Beth Fowkes Tobin investigates the role of art in creating and maintaining imperial ideologies and practices—as well as in resisting and complicating them.
Informed by the varied perspectives of postcolonial theory, Tobin explores through close readings of colonial artwork the dynamic middle ground in which cultures meet. Linking specific colonial sites with larger patterns of imperial practice and policy, she examines paintings by William Hogarth, Benjamin West, Gilbert Stuart, Arthur William Devis, and Agostino Brunias, among others. These works include portraits of colonial officials, conversation pieces of British families and their servants, portraits of Native Americans and Anglo-Indians, and botanical illustrations produced by Calcutta artists for officials of the British Botanic Gardens. In addition to examining the strategies that colonizers employed to dominate and define their subjects, Tobin uncovers the tactics of negotiation, accommodation, and resistance that make up the colonized's response to imperial authority. By focusing on the paintings' cultural and political engagement with imperialism, she accounts for their ideological power and visual effect while arguing for their significance as agents in the colonial project.
Pointing to the complexity, variety, and contradiction within colonial art, Picturing Imperial Power contributes to an understanding of colonialism as a collection of social, economic, political, and epistemological practices that were not monolithic and inevitable, but contradictory and contingent on various historical forces. It will interest students and scholars of colonialism, imperial history, postcolonial history, art history and theory, and cultural studies.
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طبعات أخرى - عرض جميع المقتطفات
African Caribbean Agostino Brunias Apollo Belvedere argues artists Banks's Benjamin West bibis Bigg's Black Caribs black servant Board of Trade botanical illustration Brant Britain British Britons Brunias's Calcutta Caldwell Caldwell's Carmichael century chap clothing conversation piece costume cross-dressing cultural cross-dressing Delawares depicted discourse discussion domestic domination dress economic eighteenth eighteenth-century Empire England English ethnographic European exotic figure flowers gender genre Guy Johnson history painting Hogarth hybrid ideological images imperial Indian land Iroquois John Joseph Banks Lady London masquerade military mimicry Mohawk moral narrative Native American natural history Negro North America oil on canvas Parkinson Penn's Pennsylvania planters plants political portrait portraiture purchase Renaldi's representation Reynolds's scene sexual Sir William Johnson Sir William Young Six Nations slavery social sugar Sydney Parkinson Thomas Penn tion Treaty University Press visual voyage Walking Purchase wearing West Indian West Indies William Penn William Roxburgh women York Zoffany Zoffany's
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