Structure in Milton's Poetry: from the Foundation to the PinnaclesPennsylvania State University Press, 1974 - 202 من الصفحات Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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الصفحة 126
... play . If we return to Milton's poetry , the sonnet commonly called “ On His Blindness " ( Sonnet 19 , " When I ... play , and the critic had best retreat to higher and safer ground . A more productive way to view the play is to separate ...
... play . If we return to Milton's poetry , the sonnet commonly called “ On His Blindness " ( Sonnet 19 , " When I ... play , and the critic had best retreat to higher and safer ground . A more productive way to view the play is to separate ...
الصفحة 129
... play might as well have allowed for the entry of the Officer to remove Samson at , say , line 115 ( when the Chorus in fact enters ) rather than at line 1308 , where Milton actually has the Officer appear . If Samson were immediately to ...
... play might as well have allowed for the entry of the Officer to remove Samson at , say , line 115 ( when the Chorus in fact enters ) rather than at line 1308 , where Milton actually has the Officer appear . If Samson were immediately to ...
الصفحة 148
... play begins , Samson , blind , dejected , and enslaved , is led onto the stage by a boy . So also Oedipus at Colonus begins with the blind , dejected Oedipus led on by Antigone . The parallelism of the two scenes ends there ; the boy ...
... play begins , Samson , blind , dejected , and enslaved , is led onto the stage by a boy . So also Oedipus at Colonus begins with the blind , dejected Oedipus led on by Antigone . The parallelism of the two scenes ends there ; the boy ...
المحتوى
The Dynamic Structure of Paradise Lost | 5 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
حقوق النشر | |
10 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Adam Aeneas Aeneid Amor beginning Book Cambridge Christ Companion Pieces Comus concluding conventions course Daphnis death Diodati dise Lost dynamic early poems eclogue Elegia Quinta Elegia Tertia epic hero epic tradition epicedia epicedion Epistulae ex Ponto Epitaphium Damonis example exile extra-poetic problem Fair Infant functional God's Gostlin Greek grief hath Heaven heroic heroism icastic Il Penseroso important integrated John Milton L'Allegro Latin Poems literary Loeb Classical Library London Lycidas Manoa Manso Mansus masque Masque of Blackness means merely metaphor mihi Milton's development Milton's poem Nativity Ode Ovid Ovid's Oxford panegyric panegyric tradition Paradise Lost Paradise Regained Parker passage pastoral tradition Patrem patron pattern Penseroso play poem's poet poetic structure poetry praise relation resembles resolution Riley Parker Samson Agonistes Satan says scene silvae spirit stanza struc structural progression structure of Paradise technique thee thir thou Thyrsis tion topos tragedy Trans Tristia ultimate Vergil Woodhouse writing York