Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 - 494 من الصفحات It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
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الصفحة 11
... . 368–9 ) ( Widener Library , Harvard University ) 60. Shakespeare , Dramatic III ( frontispiece ) ( Henry E. Huntington Library ) 284 285 295 THEATRVM Introduction In the late fifteenth century , half - List of Illustrations xi.
... . 368–9 ) ( Widener Library , Harvard University ) 60. Shakespeare , Dramatic III ( frontispiece ) ( Henry E. Huntington Library ) 284 285 295 THEATRVM Introduction In the late fifteenth century , half - List of Illustrations xi.
الصفحة 11
... universities , and courts across Europe were drawing their inspiration from the Terence editions and the illustrated editions of Vitruvius that began to come out in the first decade of the sixteenth century.15 At least some of those ...
... universities , and courts across Europe were drawing their inspiration from the Terence editions and the illustrated editions of Vitruvius that began to come out in the first decade of the sixteenth century.15 At least some of those ...
الصفحة 124
... Universities , " the " licence " of the popular theatre is to be chastened by a drama fit for his " learned Arbitresses " ( Oxford and Cambridge ) . " The learned [ have ] suffer [ ed ] " by " the too - much licence of Poetasters " -the ...
... Universities , " the " licence " of the popular theatre is to be chastened by a drama fit for his " learned Arbitresses " ( Oxford and Cambridge ) . " The learned [ have ] suffer [ ed ] " by " the too - much licence of Poetasters " -the ...
المحتوى
List of Illustrations | 11 |
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection | 11 |
Note on Editions Spellings Translations and Citations | 11 |
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17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte complètes copies Corneille culture dedication dialogue discussion dramatic texts dramatists early editions eighteenth century English explains farces folio French frontispiece genres gesture Heywood Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language letters literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupes Vitruvius words writes