Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 - 494 من الصفحات It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
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الصفحة 156
... body could thus become a vehicle for translating the passions , eventu- ally taxonomized and rendered graphically in ... body generally : For Aristotle hath very ingeniously and diligently handled the factures of the body , but not the ...
... body could thus become a vehicle for translating the passions , eventu- ally taxonomized and rendered graphically in ... body generally : For Aristotle hath very ingeniously and diligently handled the factures of the body , but not the ...
الصفحة 159
... body and that of the reunited global body ) , as vehicle of the only language exempt from the desecrations of Babel and hence the one closest to the language of God , the gesturing body manifests in human form , at once divine writing ...
... body and that of the reunited global body ) , as vehicle of the only language exempt from the desecrations of Babel and hence the one closest to the language of God , the gesturing body manifests in human form , at once divine writing ...
الصفحة 300
... body but bodies had instead become intimate commonwealths - the theatre's task ( like that of the scientist ) was to make manifest those hidden things within . " The " within " to be found in the theatre was one repeatedly identified as ...
... body but bodies had instead become intimate commonwealths - the theatre's task ( like that of the scientist ) was to make manifest those hidden things within . " The " within " to be found in the theatre was one repeatedly identified as ...
المحتوى
List of Illustrations | 11 |
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection | 11 |
Note on Editions Spellings Translations and Citations | 11 |
حقوق النشر | |
20 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte complètes copies Corneille culture dedication dialogue discussion dramatic texts dramatists early editions eighteenth century English explains farces folio French frontispiece genres gesture Heywood Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language letters literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupes Vitruvius words writes