Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe

الغلاف الأمامي
Oxford University Press, 2000 - 494 من الصفحات
It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket.

من داخل الكتاب

المحتوى

List of Illustrations
11
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection
11
Note on Editions Spellings Translations and Citations
11
حقوق النشر

20 من الأقسام الأخرى غير ظاهرة

طبعات أخرى - عرض جميع المقتطفات

عبارات ومصطلحات مألوفة

نبذة عن المؤلف (2000)

Julie Stone Peters is Professor of English and Comparative Literature, Columbia University, NY.

معلومات المراجع