Cinema and Painting: How Art Is Used in FilmUniversity of Texas Press, 1996 - 303 من الصفحات The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity.Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Therese).While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures. |
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Cinema and Painting: How Art is Used in Film <span dir=ltr>Angela Dalle-Vacche</span> لا تتوفر معاينة - 1996 |
عبارات ومصطلحات مألوفة
abstract Alain Cavalier American in Paris Andrei Rublev architecture art history artist avant-garde ballet becomes Biedermeier body camera Caspar David Friedrich Cavalier Cavalier's film characters cinema and painting close-up collage color contrast convent creativity culture death decor depiction desire director echoes elements Ellen emotional Eric Rohmer Expressionism Expressionist female feminine Ferdinand FIGURE Film Stills Archive filmic image filmmaker frame French German Giuliana Giulietta Hollywood horror Hutter icon painting invisible Japanese Jean-Luc Godard Jerry Jerry's Kenji Kenji Mizoguchi Kleist's landscape linked looking male Marianne Marquise Michelangelo Antonioni mirror mise-en-scène Mizoguchi Modern Art movement Murnau's Museum of Modern mysticism narrative nature Nosferatu nuns objects Okita's painter pictorial Pierrot le Fou portrait Red Desert Romantic Rückenfigur Russian scene screen Seinosuke sense sexual shot social space style Tarkovsky Tarkovsky's tattooing Thérèse tion tradition Utamaro vampire vampire's viewer Vincente Minnelli visual window Wisborg woman woodblock printing word and image York