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speaking animals and other curiosities due to Flemish genius. No contemporary illustration is forthcoming, but in 1615 Solomon de Caus, who avowedly owed his inspiration to Hero and Vitruvius, describes a number of hydraulic machines, amongst which is the barrel-organ, illustrating his description by means of several large drawings and diagrams very carefully carried out. De Caus' organ, entitled " Machine par laquelle l'on fera sonner un jeu d'orgues par le moyen de l'eau," was built up on a wall a foot thick. In the illustrations the barrel is shown to be divided into bars, and each bar into eight beats for the quavers. The whole drum is pierced with holes at the intersecting points, the pins being movable, so that when the performer grew tired of one tune, he could re-arrange the pins to form another. The four bellows are set in motion by means of ropes strained over pulleys and attached to four cranks on the rotating shaft. Solomon de Caus lays no claim to the invention of this organ, but only to the adaptation of hydraulic power for revolving the drum; on the contrary, in a dissertation on the invention of hydraulic machines and organs, he states that there was evidently some difference between the organs of the ancients and those of his day, since there is no mention in the classics of any musical wheel by means of which tunes could be played in several parts-the ancients, indeed, seem to have used their fingers on the keyboard to sound their organs. The eighteen keys drawn in one diagram bear names, beginning at the left, D, C, B, A, G, F, F#, E, D, C, B, A, G, F, E, D, C, B; De Caus states that only half the keyboard is given for want of space; the compass, therefore, probably was as shown, with a few accidentals. A barrel-organ, also worked by hydraulic power, is somewhat fantastically drawn by Robert Fludd in a work published two years after that of Solomon de Caus. This diagram is of no value except as a curiosity, for the author betrays a very imperfect knowledge of the mechanical principles involved. The piece of music actually set on de Caus' barrel-organ, six bars of which can be made out,' consists of a madrigal, “Chi fara fed' al ciel," by Alessandro Striggio, written in organ tablature by Peter Philips, organist of the Chapel Royal, Brussels, at the end of the 16th century.. A French barrelorgan' in the collection of the Brussels Conservatoire, bearing the date " 5 Mars 1797," has the following compass with flats, beginning at the left:

to

have been made with as many as three or four cylinders set in, gave to automatic contrivances of all kinds, carillons, clocks, a circular revolving frame, but these more elaborate instruments were mainly used in churches' and chapels, a purpose for which they were in great demand for playing hymns, chants and voluntaries during the 18th and carly 19th centuries. A barrelorgan was built for Fulham church by Wright, and a large instrument with four barrels was constructed by Bishop for Northallerton church in 1820.

The origin of the barrel-organ is now clearly established, and many will doubtless be surprised to find that it must be sought in the Netherlands as early as the middle of the 15th century, and that accurate and detailed diagrams of every part of the mechanism for a large stationary barrel-organ worked by hydraulic power were published in 1615. There are letters patent preserved in the archives of Belgium appointing a certain organ-builder, Jehan van Steenken, dit Aren, "Master of organs which play of themselves"; in the original Flemish Meester van orgelen spelende bij hen selven. This organ was not a portable one like English street-organs, but a more imposing instrument, as we learn from other documents giving a detailed account of the moneys paid to Maistre Jehan for conveying the organs

FIG. 1.-Large stationary barrel-organ worked by hydraulic power, from Solomon de Caus, Les Raisons des forces mouvantes (Frankfort on-Main, 1615)

from Bruges to Brussels. Steenken was, by virtue of the same letters patent, awarded an annual pension of fifty Rhenish florins in consideration of the services rendered to the duke of Burgundy, and on condition of his submitting to his liege Philip the Good all other instruments he might make in the future. There is nothing singular in the early date of this invention, for the 15th century was distinguished for the extraordinary impulse which the patronage and appreciation of the dukes of Burgundy This practice had evidently not been adopted in Germany, as the following instance will show, The use of barrel-organs (Drehorgeln) in country churches was seriously recommended by an anonymous writer in two German papers at the beginning of the 19th century (Beobachter an der Spree, Berlin, 22nd October 1821, and in Märkische Boten, Nos. 138 and 139, 1821). The organist Wilke of Leipzig published in reply an article in the Allgem. musik, Zeitung (1822, pp. 777 et seq.) in which" he very properly repudiated such a laughable recommendation."

2 Archives générales du royaume de Belgique, Chambre des Comptes, No 2, 449 r. cf. 52 r.; and Edmund van der Straeten, La Musique aux Pays-Bas, vol. vii. pp. 230-232.

Van der Straeten, op. cit. p. 299.
III. 8

Other evidences of the origin of the barrel-organ are not wanting. The inventory of the organs and other keyboard instruments belonging to the duke of Modena, drawn up in 1598, contains two entries of an organo Tedesco.10 In England these organs were also known as "Dutch organs," and the name clung to the instrument even in its diminutive form of hand-organ of the itinerant musician. In Jedediah Morse's description of the 4 Van der Straeten, op. cit. p. 231.

1615), problems 25, 28, 29, 30. Solomon de Caus, Les Raisons des forces mouvantes (Frankfort,

Historia utriusque cosmi (Oppenheim, 1617), t.i., experimentum viii. p. 483.

the wind-supply. In problem 30 is drawn a large section of the Op. cit. problem 29 shows the arrangement of the bellows for barrel, showing six bars of music represented by the pin tablature, which can be actually deciphered by the help of the keyboard included in the drawing. These diagrams are admirably clear and of real technical value. A copy of this work is in the library of the British Museum.

See also E. van der Straeten, who has translated Philips' setting into modern notation, op. cit. t. vi. pp. 506 and 510. See V. C. Mahillon, Catalogue descriptif (Brussels, 1896), No. 1137,

p. 371.

10 Tedesco was applied by Italians to both German and Dutch. Count Valdrighi, Musurgiana I. Serandola, Pianoforte, Salterio (Modena, 1879), pp. 27 and 28; and E. van der Straeten, op. cil. vol. vi. p. 122.

2a

manners and customs of the Netherlands,' we find the following allusion:-"The diversions of the Dutch differ not much from those of the English, who seem to have borrowed from them the neatness of their drinking booths, skittle and other grounds... which form the amusements of the middle ranks, not to mention their hand-organs and other musical inventions." An illustration of the hand-organ of that period is given in Knight's London,' being one of a collection of street views published by Dayes in 1789. In a description of Bartholomew Fair, as held at the beginning of the 18th century, is a further reference to the Dutch origin of the barrel-organ:-" A band at the west-end of the town, well known for playing on winter evenings before Spring Garden Coffee House, opposite Wigley's great exhibition room, consisted of a double drum, a Dutch organ, the tambourine, violin, pipes and the Turkish jingle used in the army. This band was generally hired at one of the booths of the fair." Mr Thomas Brown relates that one Mr Stephens, a Poultry author, proposed to parliament for any one that should presume to keep an organ in a Publick House to be fined £20 and made incapable of being an alc-draper for the future. In 1737 Horace Walpole writes:-" I am now in pursuit of getting the finest piece of music that ever was heard; it is a thing that will play eight tunes. Handel and all the great musicians say that it is beyond anything they can do, and this may be performed by the most ignorant person, and when you are weary of those eight tunes, you may have them changed for any other that you like." The organ was put in a lottery and fetched £1000.

There was a very small barrel-organ in use during the 18th and 19th centuries, known as the bird-organ (Fr. scrinette, turlutaine, merline). One of these now in the collection of the Brussels Conservatoire is described by V. C. Mahillon. The instrument is in the form of a book, on the back of which is the title " Le chant des oiseaux, Tome vi." There are ten pewter stopped pipes giving the scale of G with the addition of Fb and A two octaves higher. The whole instrument measures approximately 8X5X2 in, and plays eight tunes. Mozart wrote an Andante

for a small barrel-organ.

For an illustration of the construction of the barrel-organ during the 18th century, consult P. M. D. J. Engramelle, La Tonotechnie ou l'art de noter les cylindres et tout ce qui est susceptible de notage dans les instruments de concerts méchaniques (París, 1775), with engravings (not in the British Museum); and for a clear diagram of the modern instrument the article on "Automatic Appliances connected with Music," by Dr E. J. Hopkins, in Grove's Dictionary of Music and Musicians, vol. i. (1904), p. 134. (K. S.)

BARREN ISLAND, a volcanic island in the Bay of Bengal. It has an irregularly circular form of about 2 m. in diameter, composed of an outer rim rising to a height of from 700 to 1000 ft., with a central cone the altitude of which is 1015 ft. This cone rises from a depth of Soo fathoms below the sea. It was active between 1789 and 1832, but has since been dormant. BARRÈS, MAURICE (1862- ), French novelist and politician, was born at Charmes (Vosges) on the 22nd of September 1862; he was educated at the lycée of Nancy, and in 1883 went to Paris to continue his legal studies. He was already a contributor to the monthly periodical, Jeune France, and he now issued a periodical of his own, Les Taches d'encre, which survived for a few months only. After four years of journalism he went to Italy, where he wrote Sous l'œil des barbares (1888), the first volume of a trilogie du moi, completed by Un Homme libre (1889), and Le Jardin de Bérénice (1891). He divided the world into moi and the barbarians, the latter including all those antipathetic to the writer's individuality. These apologies for 1 Jedediah Morse American Geography, part ii. p. 334 (Boston, Mass., 1796).

Knight's London, vol. i. p. 144.

Hone's Every Day Book, i. p. 1248.

individualism were supplemented by L'Ennemi des lois (1892), and an admirable volume of impressions of travel, Du sang, de la volupté et de la mort (1893). His early books are written in an claborate style and are often very obscure. Barrès carried his theory of individualism into politics as an ardent partisan of General Boulanger. He directed a Boulangist paper at Nancy, and was elected deputy in 1889, retaining his seat in the legis lature until 1893. His play, Une Journée parlementaire, was produced at the Comédie Française in 1894. In 1897 he began his trilogy, Le Roman de l'énergie nationale, with the publication of Les Déracinés. The series is a plea for local patriotism, and for the preservation of the distinctive qualities of the old French provinces. The first narrates the adventures of seven young Lorrainers, who set out to conquer fortune in Paris. Six of them survive in the second novel of the trilogy, L'Appel au soldat (1900), which gives the history of Boulangism; the sequel, Leurs figures (1902), deals with the Panama scandals. Later works are:-Scènes et doctrines du nationalisme (1902); Les Amilies françaises (1903), in which he urges the inculcation of patriotism by the early study of national history; Ce que j'ai vu à Rennes (1904); Au service de l'Allemagne (1905), the experiences of an Alsatian conscript in a German regiment; Le Voyage de Sparte (1906). M. Barrès was admitted to the French Academy in 1906

See also R. Doumic, Les Jeunes (1896); J. Lionnet, L'Evolution des idées (1903); Anatole France, La Vie littéraire (4th series, 1892).

BARRETT, LAWRENCE (1838-1891), American actor, was born of Irish parents in Paterson, New Jersey, on the 4th of April 1838. His family name was Brannigan. He made his first stage appearance at Detroit as Murad in The French Spy in 1853. In December 1856 he made his first New York appearance at the Chambers Street theatre as Sir Thomas Clifford in The Hunchback. In 1858 he was in the stock company at the Boston Museum. He served with distinction in the Civil War as captain in the 28th Massachusetts infantry regiment. From 1867 to 1870, with John M'Cullough, he managed the California theatre, San Francisco. Among his many and varied parts may be mentioned Hamlet, Lear, Macbeth, Shylock, Richard III., Wolsey, Benedick, Richelieu, David Garrick, Hernani, Alfred Evelyn, Lanciotto in George Henry Boker's (1823-1890) Francesca da Rimini, and James Harebell in The Man o' Airlie. He played Othello to Booth's Iago and Cassius to his Brutus. He acted in London in 1867, 1881, 1883 and 1884, his Richelieu in Bulwer Lytton's drama being considered his best part. He wrote a life of Edwin Forrest in the, American Actors Series (Boston, 1881), and an admirable sketch of Edwin Booth in Edwin Booth and his Contemporaries (Boston, 1886). He died on the 20th of March

1891.

BARRETT, LUCAS (1837-1862), English naturalist and geologist, was born in London on the 14th of November 1837, and educated at University College school and at Ebersdorf. In 1855 he accompanied F McAndrew on a dredging excursion from the Shetlands to Norway and beyond the Arctic Circle; and subsequently made other cruises to Greenland and to the coast of Spain. These expeditions laid the foundations of an extensive knowledge of the distribution of marine life. In 1855 he was engaged by Sedgwick to assist in the Woodwardian Museum at Cambridge, and during the following three years he aided the professor by delivering lectures. He discovered bones of birds in the Cambridge Greensand, and he also prepared a geological map of Cambridge on the one-inch Ordnance map. In 1859, when twenty-two years of age, he was appointed director of the Geological Survey of Jamaica. He there determined the Cretaceous age of certain rocks which contained Hippurites, the new genus Barrettia being named after him by S. P. Woodward; he also obtained many fossils from the Miocene and newer strata. He was drowned at the early age of twenty-five, on the 18th of

Collection of all the Dialogues written by Mr Thomas Brown December 1862, while investigating the sea-bottom off Kingston, (London, 1704), p. 297.

Hone's Every Day Book, ii. pp. 1452-1453.

See Catalogue descriptif (Ghent, 1880), Nos. 461 and 462. Breitkopf and Härtel's Critically revised edition of Mozart's Works, series x. no. 10.

Jamaica.

Obituary by S. P. Woodward in Geologist (Feb. 1863), p. 60. BARRETT, WILSON (1846-1904), English actor, manager and playwright, was born in Essex on the 18th of February 1846, the

435

James's Gazette and for Home Chimes (edited by Mr F. W. Barrie moved to London. He continued to write for the St Robinson). He was soon enlisted by Mr Alexander Riach for the Edinburgh Evening Dispatch, which in turn led to his writing (over the signature “Gavin Ogilvy ") for Dr Robertson Nicoll's British Weekly. Later he became a contributor to the Scots (afterwards National) Observer, edited by W. E. Henley, and also to the Speaker, upon its foundation in 1890. In 1887 he published his first book, Better Dead. It was a mere jeu d'esprit, a specimen of his humorous journalism, elaborated from the St James's Gazette. This was followed in 1888 by Auld Licht Idylls, a collection of the Scots village sketches written for the same paper. They portrayed the life and humours of his native village, idealized as "Thrums," and were the fruits of early observation and of his mother's tales. "She told me everything," Mr Barrie has written, "and so my memories of our little red wholly satisfied with the portrait, but "Thrums " took its place town were coloured by her memories." Kirriemuir itself was not securely on the literary map of the world. In the same year he published An Edinburgh Eleven, sketches from the British Weekly of eminent Edinburgh students; also his first long story, When a Man's Single, a humorous transcription of his experiences was introduced by what was in fact another Thrums "Idyll," on as journalist, particularly in the Nottingham office. a higher level than the rest of the book. In 1889 came A Window The book

son of a farmer. He made his first appearance on the stage at | editor, more Auld Licht "Idylls" followed; and in 1885 Mr Halifax in 1864, and then played his wife, Caroline Heath, in East Lynne. After managerial the provinces alone and with experiences at Leeds and elsewhere, in 1879 he took the management of the old Court theatre, where he introduced Madame Modjeska to London, in an adaptation of Schiller's Maria Stuart, Adrienne Lecouvreur, La Dame aux camelias and other plays. It was not till 1881, however, when he took the Princess's theatre, that he became well known to the public in the emotional drama, The Lights o' London, by G. R. Sims. The play which made him an established favourite was The Silver King by Henry Arthur Jones, perhaps the most successful melodrama ever staged, produced in 1882 with himself as Wilfred Denver, his brother George (an excellent comedian) in the cast, and E. S. Willard (b. 1853) as the "Spider,"-this being the part in which Mr Willard, afterwards a well-known actor both in America and England, first came to the front. Barrett played this part for three hundred nights without a break, and repeated his London success in W. G. Wills's Claudian which followed. In 1884 he appeared in Hamlet, but soon returned to melodrama, and though he had occasional seasons in London he acted chiefly in the provinces. In 1886 he made his first visit to America, repeated in later years, and in 1898 he visited Australia. During these years the London stage was coming under new influences, and Wilson Barrett's vogae in melodrama had waned. But in 1895 he struck a new vein of success with his drama of religious emotion, The Sign of the Cross, which crowded his theatre within Thrums. This beautiful book, and the Idylls, gave the full audiences largely composed of people outside the ordinary circle of playgoers. He attempted to repeat the success with other plays of a religious type, but not with equal effect, and several of his later plays were failures. He died on the 22nd of July 1904. Wilson Barrett was a sterling actor of a robust type and striking physique, not remarkable for intellectual finesse, but extelling in melodrama, and very successful as the central figure on his own stage.

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measure of Mr Barrie's gifts of humanity, humour and pathos, with abundant evidence of the whimsical turn of his wit, and of his original and vernacular style. In 1891 he made a collection of his lighter papers from the St James's Gazette and published them as My Lady Nicotine. In 1891 appeared his first long novel, Good Words. It introduced, not with unmixed success, extraneThe Little Minister, which had been first published serially in BARRHEAD, a police burgh of Renfrewshire, Scotland, familiar life of Thrums, but proved the author's possession of a ous elements, including the winsome heroine Babbie, into the situated on the Levern, 73 m. S.W. of Glasgow by the Glasgow considerable gift of romance. In 1894 he published Margaret & South-Western railway. Pop. (1901) 9855. Founded in 1773, Ogilvy, based on the life of his mother and his own relations with it has gradually absorbed the villages of Arthurlie, Dovecothall her, most tenderly conceived and beautifully written, though toc and Grahamston, and become a thriving town. industries include bleaching, calico-printing, cotton-spinning, of great interest to admirers of Mr Barrie's genius. The following The chief intimate for the taste of many. The book is full of revelations weaving, iron and brass founding, engineering and the manu-year came Sentimental Tommy, a story tracing curiously the facture of sanitary appliances. Neilston (pop. 2668), about 2 m. psychological development of the "artistic temperament" in a S.W., has bleachfields and print-works, and 2 m. N. by E. lie Scots lad of the people. R. L. Stevenson supposed himself to be Hurlet, where are important manufactures of alum and other portrayed in the hero, but it may be safely assumed that the chemicals, and Nitshill (pop. 1242) with chemical works, quarries author derived his material largely from introspection. The and collieries. in 1900. The effect of this story was somewhat marred by the story was completed by a sequel, Tommy and Grizel, published comparative failure of the scenes in society remote from Thrums.

BARRICADE, or BARRICADO (from the Span. barricada, from barrica, a cask, casks filled with earth having been early used to form barricades), an improvised fortification of earth, paving-In 1902 he published The Little White Bird, a pretty fantasy, stones, trees or any materials ready to hand, thrown up, especially across a street, to hinder the advance of an enemy; in the old wooden warships a fence or wooden rail, supported by stanchions and strengthened by various materials, extending across the quarter-deck as a protection during action.

BARRIE, JAMES MATTHEW (1860and dramatist, was born at Kirriemuir, a small village in Forfar), British novelist shire, on the 9th of May 1866. He was educated at the Dumfries academy and Edinburgh University. He has told us in his quasi-autobiographical Margaret Ogilvy that he wrote tales in the garret before he went to school, and at Edinburgh wrote the greater part of a three-volume novel, which a publisher presumed was the work of a clever lady and offered to publish for £100. The offer. was not accepted, and it was through journalism that he found his way to literature. After a short period of waiting in Edinburgh, he became leader-writer on the Nottingham Journal in February 1883. To this paper he contributed also special articles and notes, which provided an opening and training for his personal talent. He soon began to submit articles to London editors, and on the 17th of November 1384 Mr Frederick Greenwood printed in the St James's Gazette his article on "An Auld Licht Community." With the encouragement of this able

wherein he gave full play to his whimsical invention, and his tenderness for child life, which is relieved by the genius of sincerity from a suspicion of mawkishness. This book contained the episode of " Peter Pan," which afterwards suggested the play of that name. In the meantime Mr Barrie had been developing success at his own theatre of Barrie's Walker, London, a farce his talent as a dramatist. In 1892 Mr Toole had made a great founded on a sketch in When a Man's Single. In 1893 Mr Barrie married Miss Ansell (divorced in 1909), who had acted in Walker, London. In this year he wrote, with Sir A. Conan Doyle, a play called Jane Annie. He found more success, however, in The Professor's Love-Story in 1895; and in 1897 the popularity of his dramatized version of The Little Minister probably confirmed him in a predilection for drama, evident already in some of his first sketches in the Nottingham Journal. In 1900 Mr Bourchier produced The Wedding Guest, which was printed as a supplement the publication of The Little While Bird, Mr Barrie burst upon to the Fortnightly Review in December of the same year. After the town as a popular and prolific playwright. The struggling journalist of the early 'nineties had now become one of the most prosperous literary men of the day. In 1903 no fewer than three plays from his hand held the stage-Quality Street, The Admirable

vol. viii.

Crichton and Little Mary. The year 1904 produced Peter Pan, a | terms were included in the treaty of Rastatt, between the kind of poetical pantomime, in which the author found scope for emperor and France, signed on the 7th of March 1714. A third some of his most characteristic and permanently delightful gifts. Barrier Treaty was signed in November 1715. In 1905 Alice-Sit-by-the-Fireand in 1908 What Every Woman Knows See Jean Dumont, Corps universel diplomatique, &c. (1726-1731). were added to the list. As dramatist Mr Barrie brought, to a sphere rather ridden by convention, a method wholly uncon

BARRILI, ANTONIO GIULIO (1836– ), Italian novelist, ventional and a singularly fresh fancy, seasoned by a shrewd touch was born at Savona, and was educated for the legal profession, of satirical humour; and in Peter Pan he proved himself a Hans which he abandoned for journalism in Genoa. He was a volunteer Andersen of the stage. In literature, the success of “Thrums” in the campaign of 1859 and served with Garibaldi in 1866 and produced a crop of imitations, christened in derision by W. E. 1867. From 1865 (Capitan Dodero) onwards he published a Henley the “ Kailyard School,” though the imitations were by large number of books of fiction, which had wide popularity, no means confined to Scotland. In this school the Auld Licht his work being commonly compared with that of Victor Cher Idylls and A Window in Thrums remained unsurpassed and buliez. Some of the best of the later ones are Santa Cecilia unapproached. The Scots village tale was no novelty in literature (1866), Come un Sogno (1875), and L'Olmo e l' Edera (1877) His -witness John Galt, the Chronicles of Carlingford and George Raggio di Dio appeared in 1899. Barrili also wrote two plays MacDonald. Yet Mr Barrie, in spite of a dialect not easy to the and various volumes of criticism, including Il rinnommento Southron, contrived to touch a more intimate and more responsive letterario italiano (1890). He was elected to the Italian chamber chord. With the simplest materials he achieved an almost of deputies in 1876; and in 1889 became professor of Italian

unendurable pathos, which yet is never forced; and the pathos literature at Genoa. · is salted with humour, while about the moving homeliness of his BARRING-OUT, a custom, formerly common in English

humanity play the gleams of a whimsical wit. Stevenson, in a schools, of barring the master out of the school premises. A letter to Mr Henry James, in December 1892, said justly of typical example of this practice was at Bromfield school, Barrie that "there was genius in him, but there was a journalist Cumberland, where William Hutchinson says “it was the on his elbow." This genius found its most perfect and character custom, time out of mind, for the scholars, at Fasting's Even istic expression in the humanity of “Thrums" and the bizarre (the beginning of Lent) to depose and exclude the master from and tender fantasy of Peler Pan.

the school for three days.” During this period the school doors See also J. M. Barrie and His Books, by J. A. Hamerton (Horace were barricaded and the boys armed with mock weapons. If Marshall, 1902): and for bibliography up to May 1903. English the master's attempts to re-enter were successful, extra tasks Illustrated Magazine, vol. xxix. (N.S.), p. 208. (W. P. J.)

were inflicted as a penalty, and willingly performed by the boys. BARRIE; the capital of Simcoe county, Ontario, Canada, On the third day terms of capitulation, usually in Latin verse, 56 m. N. of Toronto, on Lake Simcoe, an important centre on the were signed, and these always conceded the immediate right Grand Trunk railway. It contains several breweries, carriage to indulge in football and a cockfight. The custom was long factories, boat-building and railway shops, and manufactories retained at Eton and figures in many school stories. of woollens, stoves and leather. It is also a summer resort and BARRINGTON, DAINES (1727-1800),Englishlawyer, antiquary the starting point for the numerous Lake Simcoe steamers. and naturalist, was born in 1727, fourth son of the first Viscount Pop. (1901) 5949.

Barrington. He was educated for the profession of the law, and BARRIÈRE, THÉODORE (1823-1877), French dramatist, was after filling various posts, was appointed a Welsh judge in 1757 born in Paris in 1823. He belonged to a family of map engravers and afterwards second justice of Chester. Though an indifferent which had long been connected with the war department, and judge, his Observations on the Slalutes, chiefly the more ancieni, spent nine years in that service himself. The success of a from Magna Charta to 21st James I., cap. 27, with an appendix, vaudeville he had performed at the Beaumarchais and which being a proposal for new-modelling the Slutules (1766), had a high was immediately snapped up for the repertory of the Palais reputation among historians and constitutional antiquaries. In Royal, showed him his real vocation. During the next thirty 1773 he published an edition of Orosius, with Alfred's Saxon years he signed, alone or in collaboration, over a hundred plays; version, and an English translation with original notes. His among the most successful were: La Vie de bohème (1849), Tracts on the Probability of reaching the North Pole (1775) adapted from Henri Murger's book with the novelist's help; were written in consequence of the northern voyage of discovery Manon Lescaut (1851); Les Filles de marbre (1853); L'Héritage undertaken by Captain C. J. Phipps, afterwards Lord Mulgrave de Monsieur Plumci (1858); Les Faux Bonshommes (1856) with (1744-1792). Barrington's other writings are chiefly to be found Ernest Capendu; Malheureux vaincus (1865), which was forbidden in the publications of the Royal and Antiquarian Societies, of by the censor; Le Gascon (1878). Barrière died in Paris on the both of which he was long a member, and of the latter vice16th of October 1877.

president. Many of these were collected by him in a quarto See also Revue des deux mondes (March 1857).

volume entitled Miscellanics on various Subjects (1781). He BARRIER TREATY, the name given first to the treaty signed contributed to the Philosophical Transactions for 1780 an account on 29th of October 1709 between Great Britain and the states of Mozart's visit at eight years of age to London. In his Miscelgeneral of the United Netherlands, by which the latter engaged lanies on varied subjects he included this with accounts of four to guarantee the Protestant succession in England in favour of other prodigies, namely, Crotch, Charles and Samuel Wesley, and the house of Hanover; while Great Britain undertook to procure Garrett Wellesley, Lord Mornington. Among the most curious for the Dutch an adequate

barrier on the side of the Netherlands, and ingenious of his papers are his Experiments and Observations consisting of the towns of Furnes, Nieuport, Ypres, Menin, Lille, on the Singing of Birds, and his Essay on the Language of Birds. Tournai, Condé, Valenciennes, Maubeuge, Charleroi, Namur, He died on the 14th of March 1800 and was buried in the Halle, Damme, Dendermond and the citadel of Ghent. The Temple church. treaty was based on the same principle of securing Holland BARRINGTON, GEORGE (b. 1755), an Irishman with a curious against French aggression that had inspired that of Ryswick in history, was born at Maynooth on the 14th of May 1755, the 1698, by the terms of which the chief frontier fortresses of the son of a working silversmith named Waldron. In 1771 he robbed Netherlands were to be garrisoned by Dutch troops. A second his schoolmaster at Dublin and ran away from school, becoming a Barrier Treaty was signed between Great Britain and Holland on member of a touring theatrical company under the assumed 29th of January 1713, by which the strong places designed for the name of Barrington. At Limerick races he joined the manager of barrier were reduced to Furnes, the fort of Knocke, Ypres, Menin, the company in pocket-picking. The manager was detected and Tournai, Mons, Charleroi and the citadel of Ghent, and certain sentenced to transportation, and Barrington fled to London, fortresses in the neighbourhood of that city and of Bruges; Great where he assumed clerical dress and continued his pocketBritain undertaking to obtain the right for the Dutch to garrison picking. At Covent Garden theatre he robbed the Russian them from the future sovereign of the Spanish Netherlands. Its prince Orlov of a snuff-box, said to be worth £30,000. He was

detected and arrested, but as Prince Orlov declined to prosecute, | duke's flag-captain became rear-admiral and went to the West was discharged, though subsequently he was sentenced to three Indies, while in conjunction with the army he took the island of years' hard labour for pocket-picking at Drury Lane theatre. On Santa Lucia from the French, and repulsed the attempt of the his release he was again caught at his old practices and sentenced Comte d'Estaing to retake it. Superseded after a time by to five years' hard labour, but influence secured his release on Byron, he remained as that officer's second-in-command and the condition that he left England. He accordingly went for a was present at Grenada and St. Kitts (6th and 22nd of July short time to Dublin, and then returned to London, where he 1779). On his return home, he was offered, but refused, the was once more detected pocket-picking, and, in 1790, sentenced command of the Channel fleet. His last active service was the to seven years' transportation. On the voyage out to Botany relief of Gibraltar in October 1782. As admiral he flew his flag Bay a conspiracy was hatched by the convicts on board to seize for a short time in 1790, but was not employed in the French the ship. Barrington disclosed the plot to the captain, and the revolutionary wars. He died in 1800. latter, on reaching New South Wales, reported him favourably to the authorities, with the result that in 1792 Barrington obtained a warrant of emancipation (the first issued), becoming subsequently superintendent of convicts and later high constable of Paramatta. In 1796 a theatre was opened at Sydney, the principal actors being convicts, and Barrington wrote the prologue to the first production. This prologue has obtained a wide publicity. It begins:

"From distant climes, o'er widespread seas, we come,
Though not with much éclat or beat of drum;
True patriots we, for, be it understood,

We left our country for our country's good."
Barrington died at a ripe old age at Paramatta, but the exact
date is not on record. He was the author of A Voyage to Botany
Bay (London, 1801); The History of New South Wales (London,
1802); The History of New Holland (London, 1808).

See Ralfe, Naval Biographies, i. 120; Charnock, Biographia Navalis, vi. 10.

BARRINGTON, SHUTE (1734-1826), youngest son of the 1st Viscount Barrington, was educated at Eton and Oxford, and after holding some minor dignities was made bishop of Llandaff in 1769. In 1782 he was translated to Salisbury and in 1791 to Durham. He was a vigorous Protestant, though willing to grant Roman Catholics "every degree of toleration short of political power and establishment." He published several volumes of sermons and tracts, and wrote the political life of his brother, Viscount Barrington.

BARRINGTON, WILLIAM WILdman shute, 2ND VISCOUNT (1717-1793), eldest son of the 1st Viscount Barrington, was born on the 15th of January 1717. Succeeding to the title in 1734, he spent some time in travel, and in March 1740 was returned to parliament as member for Berwick-upon-Tweed. Having taken his seat in the Irish House of Lords in 1745, he was appointed one of the lords commissioners of the admiralty in 1746, and was one of the "managers" of the impeachment of Simon, Lord Lovat. In 1754 he became member of parliament for Plymouth, in 1755 was made a privy councillor and secretary at war, and in 1761 was transferred to the office of chancellor of the exchequer. In 1762 he became treasurer of the navy, and in 1765 returned to his former position of secretary at war. He retained this office until December 1778, and during four months in 1782 was joint postmaster-general. He married in 1740 Mary, daughter of Mr Henry Lovell, but left no children. He died at Becket on the 1st of February 1793, and was buried in Shrivenham church. See Shute Barrington, Political Life of William Wildman, Viscount Barrington (London, 1814).

BARRINGTON, JOHN SHUTE, 1ST VISCOUNT (1678-1734), English lawyer and theologian, was the son of Benjamin Shute, merchant, and was born at Theobalds, in Hertfordshire, in 1678. He received part of his education at the university of Utrecht; and, after returning to England in 1698, studied law in the Inner Temple. In 1701 he published several pamphlets in favour of the civil rights of Protestant dissenters, to which class he belonged. On the recommendation of Lord Somers he was employed to induce the Presbyterians in Scotland to favour the union of the two kingdoms, and in 1708 he was rewarded for this service by being appointed to the office of commissioner of the customs. From this, however, he was removed on the change of administration in 1711; but his fortune had, in the meantime, been improved by the bequest of two considerable estates,-one of them left him by Francis Barrington of Tofts, whose name he assumed by act BARRISTER, in England and Ireland the term applied to of parliament, the other by John Wildman of Becket. Barrington the highest class of lawyers who have exclusive audience in all now stood at the head of the dissenters. On the accession of the superior courts, the word being derived from the "bar" George I. he was returned to parliament for Berwick-upon-Tweed; (q.v.) in the law courts. Every barrister in England must be and in 1720 the king raised him to the Irish peerage, with the title a member of one of the four ancient societies called Inns of Court, of Viscount Barrington of Ardglass. But having unfortunately viz. Lincoln's Inn, the Inner and Middle Temples, and Gray's engaged in the Harburg lottery, one of the bubble speculations of Inn, and in Ireland, of the King's Inns. The existence of the the time, he was expelled from the House of Commons in 1723,- English societies as schools can be traced back to the 13th a punishment which was considered much too severe, and was century, and their rise is attributed to the clause in Magna thought to be due to personal malice of Walpole. In 1725 he Carta, by which the Common Pleas were fixed at Westminster published his principal work, entitled Miscellanea Sacra or a New instead of following the king's court, and the professors of law Method of considering so much of the History of the Apostles as were consequently brought together in London. Associations of is contained in Scripture, 2 vols. 8vo,-afterwards reprinted with lawyers acquired houses of their own in which students were additions and corrections, in 3 vols. 8vo, 1770, by his son Shute. educated in the common law, and the degrees of barrister (correIn the same year he published An Essay on the Several Dispensa-sponding to apprentice or bachelor) and sergeant (corresponding tions of God to Mankind. He died on the 14th of December 1734. BARRINGTON, SAMUEL (1729-1800), British admiral, was the fourth son of the 1st Viscount Barrington. He entered the navy at an early age and in 1747 had worked his way to a postcaptaincy. He was in continuous employment during the peace of 1748-1756, and on the outbreak of the Seven Years' War served with Hawke in the Basque roads in command of the "Achilles " (60). In 1759 the " Achilles "captured a powerful French privateer, after two hours' fighting. In the Havre-de-Grace expedition of the same year Barrington's ship carried the flag of Rear-Admiral Rodney, and in 1760 sailed with John Byron to destroy the Louisburg fortifications. At the peace in 1763 Barrington had been almost continuously afloat for twenty-two years. He was next appointed in 1768 to the frigate " Venus as governor to the duke of Cumberland, who remained with him in all ranks from midshipman to rear-admiral. In 1778 the

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to doctor) were conferred. These schools of law are now represented by the Inns of Court (q.v.).

Students are admitted as members of the Inns of Court, on paying certain fees and on passing a general (elementary) examination or (alternatively) producing evidence of having passed a public examination at a university; their subsequent call to the bar depends on their keeping twelve terms (of which there are four in each year), and passing certain further examinations (see ENGLISH LAW ad fin.). A term is "kept" by dining six times (three for a student whose name is on the books of a university) in hall. This is a relic of the older system in which examinations were not included, the only requisite being a certificate from a barrister that the student had read for twelve months in his chambers. Dining in hall then applied a certain social test, which has now become unmeaning. The profession of barrister is open to almost every one; but no person connected

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