Enacting Gender on the English Renaissance StageViviana Comensoli, Anne Russell University of Illinois Press, 1999 - 270 من الصفحات Including fresh approaches to issues such as the one-sex model, cross-dressing, race and region, and women as the authors, subjects, and objects of theatrical representation, this collection of new essays engages the diverse range of current debates over gender in the English Renaissance theater. Scholars from the United States, Canada, and Great Britain investigate early modern theatrical practices and works by Shakespeare, Marlowe, Fletcher, and Webster, as well as less-studied texts by dramatists such as Elizabeth Cary, Richard Brome, and Jane Cavendish and Elizabeth Brackley |
المحتوى
Viviana Comensoli and Anne Russell | 1 |
Part 1 | 23 |
To Laugh with Open Throate Mad Lovers Theatrical Cures and Gendered Bodies in Jacobean Drama | 53 |
Transmigrations Crossing Regional and Gender Boundaries in Antony and Cleopatra | 73 |
Marlowes Ganymede | 97 |
Subjectivity Time and Gender in Titus Andronicus Hamlet and Othello | 114 |
PART 2 | 133 |
Theaters Households and a Kind of History in Elizabeth Carys The Tragedy of Mariam | 135 |
Playing the Scene Self Jane Cavendish and Elizabeth Brackleys The Concealed Fancies | 154 |
The Introduction of Actresses in England Delay or Defensiveness? | 177 |
Staging the Female Playgoer Gender in Shakespeares Onstage Audiences | 201 |
Gender Rhetoric and Performance in John Websters The White Devil | 218 |
| 233 | |
Contributors | 259 |
| 263 | |
عبارات ومصطلحات مألوفة
actresses Anatomy Antony and Cleopatra Antony's argued audience authority become boy actor Cambridge University Press Cary's causal Cavendish characters Christopher Marlowe climate closet drama comedy complexion Concealed Fancies construction Cornell University Press critics crossdressing cultural defined Dido discourse Early Modern England Elizabeth Elizabethan English Renaissance essay female body female playgoer female roles feminine Feminist Galenic model Ganymede gender Hamlet Herod History homology Homosexuality household husband identity Ithaca Jacobean Jacques Lacan Jane Cavendish Jonson Lacan Laqueur Literary London Love's Labor's Lost Luceny Luceny and Tattiney male Marlowe Marlowe's marriage masculine Masque metonymic mistress natural one-sex model Orgel Othello performance play play's players Politics prologue Queen Raynold Renaissance Drama representation Routledge ruse scene seventeenth century sexual difference Shakespeare social Spanish Tragedy spectacle spectators stage suggests texts theater theatrical cure theory Thomas tion Titus Andronicus tradition Tragedy of Mariam trans transvestite troupes Vittoria White Devil wife woman women York