Edinburgh Dramatic Review, المجلدات 1-2James L. Huie., 1822 |
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acting actor AIKIN Aikin.-Lamplighter Almack's amusing appearance applause Ashton attached to Jerry audience Bailie Nicol Jarvie better Bob Logic Boddie BRIDE OF LAMMERMOOR Calcraft Caledonian Theatre character Communications Post Paid Corinthian Coriolanus CROLY DAILY BY J. L. DENHAM desert Dick Trifle Dramatic Review dress Duff Ebsworth Edinburgh Editor Farce Faulkner favour favourite gentleman George Heriot HANOVER ST Hayston HILLYARD HUNTER immediately attended INFIRMARY ST J. L. HUIE Jemmy Green John Shy Jones Jones.-Squire Hawthorn Julius Cæsar Lady last night LEITH LEONI LEE London Lord Mackay Management Mason Mason.-Tattersal Melo-Dramatic Extravaganza Messrs Miller.-Link Boy Miss Catharine Sparkler Miss Dance MISS EYRE Miss Halford Miss Nicol Miss Stephens Misses Trifle Opera piece play Players well bestowed POWER Primefit PUBLISHED DAILY remarks Renaud rendered Rob Roy Rob Roy Macgregor scene Scenery Servant Shakspeare Siddons song stage sung Susan Rosebud talent Theatre-Royal TOM AND JERRY tragedy Vandenhoff Weekes William Calcraft
مقاطع مشهورة
الصفحة 162 - With his surcease success : that but this blow Might be the be-all and the end-all here, But here, upon this bank and shoal of time, We'd jump the life to come. But in these cases We still have judgment here ; that we but teach Bloody instructions, which, being taught, return To plague the inventor ; this even-handed justice Commends the ingredients of our poison'd chalice To our own lips.
الصفحة 138 - Shakespear's genius here took its full swing, and trod upon the farthest bounds of nature and passion. This circumstance will account for the abruptness and violent antitheses of the style, the throes and labour which run through the expression, and from defects will turn them into beauties. " So fair and foul a day I have not seen," &c. " Such welcome and unwelcome news together." " Men's lives are like the flowers in their caps, dying or ere they sicken." " Look like the innocent flower, but be...
الصفحة 95 - Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast- weight to throw, The line too labours, and the words move slow ; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
الصفحة 179 - Of this tragedy many particular passages deserve regard, and the contention and reconcilement of Brutus and Cassius is universally celebrated ; but I have never been strongly agitated in perusing it...
الصفحة 139 - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful, and ridiculous excess.
الصفحة 137 - ... life and death. The action is desperate and the reaction is dreadful. It is a huddling together of fierce extremes, a war of opposite natures which of them shall destroy the other. There is nothing but what has a violent end or violent beginnings.
الصفحة 109 - ... he goes out in, is not more inadequate to represent the horrors of the real elements, than any actor can be to represent Lear...
الصفحة 31 - Tis pleasant, sure, to see one's name in print; A book's a book, although there's nothing in't.
الصفحة 137 - Macbeth and Lear, Othello and Hamlet, are usually reckoned Shakespeare's four principal tragedies. Lear stands first for the profound intensity of the passion ; Macbeth for the wildness of the imagination and the rapidity of the action ; Othello for the progressive interest and powerful alternations of feeling ; Hamlet for the refined development of thought and sentiment.