Plato to Elliot: A Literary CriticismKitab Mahal, 1965 - 198 من الصفحات |
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الصفحة 120
... Coleridge started lecturing on poetry and philosophy ; in 1811 he delivered a series of lectures on Shakespeare . Coleridge died in 1834 . Samuel Taylor Coleridge , the poet and philosopher , who gave the philosophic basis to English ...
... Coleridge started lecturing on poetry and philosophy ; in 1811 he delivered a series of lectures on Shakespeare . Coleridge died in 1834 . Samuel Taylor Coleridge , the poet and philosopher , who gave the philosophic basis to English ...
الصفحة 127
... Coleridge starts drawing a distinction between the two when he says in Biographia- " Repeated meditations led me first to suspect .. that fancy and imagination were two distinct and widely different faculties , instead of being ...
... Coleridge starts drawing a distinction between the two when he says in Biographia- " Repeated meditations led me first to suspect .. that fancy and imagination were two distinct and widely different faculties , instead of being ...
الصفحة 141
... Coleridge . Like Lamb he has also the methods of evocation , metaphor and personal appeal . But he has something more . He has a theo- retical bent of mind and has certain broad principles . He has interest in the study of the human ...
... Coleridge . Like Lamb he has also the methods of evocation , metaphor and personal appeal . But he has something more . He has a theo- retical bent of mind and has certain broad principles . He has interest in the study of the human ...
عبارات ومصطلحات مألوفة
accept according action activity Aeschylus aesthetic ancient appears appreciation approach Aristotle Arnold artist asks beauty believes brings called century character classical Coleridge comedy common conception conscious creation deals definition delight distinction drama Dryden effect Eliot emotion English epic essay essential experience expression fact fancy feels follow forces gives Greek human ideal ideas imagination imitation importance inspired interested Johnson kind knowledge language literary criticism literature living Marxism matter means mind moral nature never object particular passions past perfection personality philosophical Plato play pleasure plot poem poet poetic poetry practical present principles production qualities readers reality reason relations romantic rules says seeks sense Shakespeare Sidney social soul speaks spirit style takes talks theory things thought tion tradition tragedy true truth unity universal wants whole Wordsworth writers