Plato to Elliot: A Literary CriticismKitab Mahal, 1965 - 198 من الصفحات |
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الصفحة 30
... actions spring , and on actions again all success or failure depends . Hence , the plot is the imitation of the action : - for by plot I here mean the arrange- ment of the incidents . By character I mean that in virtue of which we ...
... actions spring , and on actions again all success or failure depends . Hence , the plot is the imitation of the action : - for by plot I here mean the arrange- ment of the incidents . By character I mean that in virtue of which we ...
الصفحة 31
... action . The action must be complete and whole . The poet is not only to see life , but he is to see through it ; he is not only to represent life , but he is to look beyond the realities of life . He should give what is probable or ...
... action . The action must be complete and whole . The poet is not only to see life , but he is to see through it ; he is not only to represent life , but he is to look beyond the realities of life . He should give what is probable or ...
الصفحة 37
... action - complete , with a beginning , a middle and an end . The organic unity must not be disturbed . The epic is different from his- tory in structure and in thought . A historical narration does not present a single action though it ...
... action - complete , with a beginning , a middle and an end . The organic unity must not be disturbed . The epic is different from his- tory in structure and in thought . A historical narration does not present a single action though it ...
عبارات ومصطلحات مألوفة
accept according action activity Aeschylus aesthetic ancient appears appreciation approach Aristotle Arnold artist asks beauty believes brings called century character classical Coleridge comedy common conception conscious creation deals definition delight distinction drama Dryden effect Eliot emotion English epic essay essential experience expression fact fancy feels follow forces gives Greek human ideal ideas imagination imitation importance inspired interested Johnson kind knowledge language literary criticism literature living Marxism matter means mind moral nature never object particular passions past perfection personality philosophical Plato play pleasure plot poem poet poetic poetry practical present principles production qualities readers reality reason relations romantic rules says seeks sense Shakespeare Sidney social soul speaks spirit style takes talks theory things thought tion tradition tragedy true truth unity universal wants whole Wordsworth writers