Plato to Elliot: A Literary CriticismKitab Mahal, 1965 - 198 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 24
الصفحة 25
... beauty of literature and thus he should be regarded as the first creator of the study of aesthetics . He is always conscious of the beauty of a thing created and the joy that it brings to the mind . He says in his Metaphysics- " At ...
... beauty of literature and thus he should be regarded as the first creator of the study of aesthetics . He is always conscious of the beauty of a thing created and the joy that it brings to the mind . He says in his Metaphysics- " At ...
الصفحة 159
... beauty ' are found . Perhaps the term " art for art's sake " was first used in 1833 in a French journal . Gautier ... Beauty we alone find it possible to attain that pleasurable elevation , or excitement , of the soul , which we ...
... beauty ' are found . Perhaps the term " art for art's sake " was first used in 1833 in a French journal . Gautier ... Beauty we alone find it possible to attain that pleasurable elevation , or excitement , of the soul , which we ...
الصفحة 164
... beauty ' , and herein lies its real danger - something that is exag- gerated out of the way or strange and artificial may be taken as a thing of beauty . Pater cites the examples of Pope and Balzac . Pope is a classicist but becomes ...
... beauty ' , and herein lies its real danger - something that is exag- gerated out of the way or strange and artificial may be taken as a thing of beauty . Pater cites the examples of Pope and Balzac . Pope is a classicist but becomes ...
عبارات ومصطلحات مألوفة
accept according action activity Aeschylus aesthetic ancient appears appreciation approach Aristotle Arnold artist asks beauty believes brings called century character classical Coleridge comedy common conception conscious creation deals definition delight distinction drama Dryden effect Eliot emotion English epic essay essential experience expression fact fancy feels follow forces gives Greek human ideal ideas imagination imitation importance inspired interested Johnson kind knowledge language literary criticism literature living Marxism matter means mind moral nature never object particular passions past perfection personality philosophical Plato play pleasure plot poem poet poetic poetry practical present principles production qualities readers reality reason relations romantic rules says seeks sense Shakespeare Sidney social soul speaks spirit style takes talks theory things thought tion tradition tragedy true truth unity universal wants whole Wordsworth writers