Plato to Elliot: A Literary CriticismKitab Mahal, 1965 - 198 من الصفحات |
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الصفحة 30
... character and thought ; for it is by these that we qualify actions themselves , and these thought and character- are the two natural causes from which actions spring , and on actions again all success or failure depends . Hence , the ...
... character and thought ; for it is by these that we qualify actions themselves , and these thought and character- are the two natural causes from which actions spring , and on actions again all success or failure depends . Hence , the ...
الصفحة 32
... character and thought- in his words ethose and diamoia . He asks us not to confuse between plot and character . He says that there cannot be a tragedy with- out plot , but there can be one without character . This seems somewhat ...
... character and thought- in his words ethose and diamoia . He asks us not to confuse between plot and character . He says that there cannot be a tragedy with- out plot , but there can be one without character . This seems somewhat ...
الصفحة 81
... characters portrayed in a drama . He says that a certain character must be in flesh and blood - its humour and passion should be properly portrayed . He stresses on the unity of action - where plot , dialogue and character meet at one ...
... characters portrayed in a drama . He says that a certain character must be in flesh and blood - its humour and passion should be properly portrayed . He stresses on the unity of action - where plot , dialogue and character meet at one ...
عبارات ومصطلحات مألوفة
accept according action activity Aeschylus aesthetic ancient appears appreciation approach Aristotle Arnold artist asks beauty believes brings called century character classical Coleridge comedy common conception conscious creation deals definition delight distinction drama Dryden effect Eliot emotion English epic essay essential experience expression fact fancy feels follow forces gives Greek human ideal ideas imagination imitation importance inspired interested Johnson kind knowledge language literary criticism literature living Marxism matter means mind moral nature never object particular passions past perfection personality philosophical Plato play pleasure plot poem poet poetic poetry practical present principles production qualities readers reality reason relations romantic rules says seeks sense Shakespeare Sidney social soul speaks spirit style takes talks theory things thought tion tradition tragedy true truth unity universal wants whole Wordsworth writers