Plato to Elliot: A Literary CriticismKitab Mahal, 1965 - 198 من الصفحات |
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الصفحة 128
... consciousness can be neither simply the thing perceived , nor the self perceiving it . ' The subject and the object are reconciled in the conscious self - the infinite and the finite are united - the mind and the matter are harmonised ...
... consciousness can be neither simply the thing perceived , nor the self perceiving it . ' The subject and the object are reconciled in the conscious self - the infinite and the finite are united - the mind and the matter are harmonised ...
الصفحة 162
... conscious of their artistic skill , and they create great works without any conscious effort , but he maintains that one of the greatest pleasures of really good art is to trace out the conscious artistic structure . Next he talks of ...
... conscious of their artistic skill , and they create great works without any conscious effort , but he maintains that one of the greatest pleasures of really good art is to trace out the conscious artistic structure . Next he talks of ...
الصفحة 175
... consciousness . The mode of production in material life determines the social , political and intellectual life ... conscious of this conflict and fight it out . Just as our opinion of an individual is not based on what he thinks of ...
... consciousness . The mode of production in material life determines the social , political and intellectual life ... conscious of this conflict and fight it out . Just as our opinion of an individual is not based on what he thinks of ...
عبارات ومصطلحات مألوفة
accept according action activity Aeschylus aesthetic ancient appears appreciation approach Aristotle Arnold artist asks beauty believes brings called century character classical Coleridge comedy common conception conscious creation deals definition delight distinction drama Dryden effect Eliot emotion English epic essay essential experience expression fact fancy feels follow forces gives Greek human ideal ideas imagination imitation importance inspired interested Johnson kind knowledge language literary criticism literature living Marxism matter means mind moral nature never object particular passions past perfection personality philosophical Plato play pleasure plot poem poet poetic poetry practical present principles production qualities readers reality reason relations romantic rules says seeks sense Shakespeare Sidney social soul speaks spirit style takes talks theory things thought tion tradition tragedy true truth unity universal wants whole Wordsworth writers