Plato to Elliot: A Literary CriticismKitab Mahal, 1965 - 198 من الصفحات |
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الصفحة 35
... follow anything by causal necessity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by necessity , or as a rue , but has nothing ...
... follow anything by causal necessity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by necessity , or as a rue , but has nothing ...
الصفحة 86
A Literary Criticism N. Das Gupta. follow his sweet reasoning and that will mean , he says , follow- ing nature . Wit does not mean merely intellect , but it means something more " what oft was thought , but never so well- expressed ...
A Literary Criticism N. Das Gupta. follow his sweet reasoning and that will mean , he says , follow- ing nature . Wit does not mean merely intellect , but it means something more " what oft was thought , but never so well- expressed ...
الصفحة 156
... follow the rules set up by the ancients . He wants to enter the real spirit of the classics . Like the ancients he insists on the choice of the subject matter - ' all depends upon the subject ; choose a fitting action , penetrate ...
... follow the rules set up by the ancients . He wants to enter the real spirit of the classics . Like the ancients he insists on the choice of the subject matter - ' all depends upon the subject ; choose a fitting action , penetrate ...
عبارات ومصطلحات مألوفة
accept according action activity Aeschylus aesthetic ancient appears appreciation approach Aristotle Arnold artist asks beauty believes brings called century character classical Coleridge comedy common conception conscious creation deals definition delight distinction drama Dryden effect Eliot emotion English epic essay essential experience expression fact fancy feels follow forces gives Greek human ideal ideas imagination imitation importance inspired interested Johnson kind knowledge language literary criticism literature living Marxism matter means mind moral nature never object particular passions past perfection personality philosophical Plato play pleasure plot poem poet poetic poetry practical present principles production qualities readers reality reason relations romantic rules says seeks sense Shakespeare Sidney social soul speaks spirit style takes talks theory things thought tion tradition tragedy true truth unity universal wants whole Wordsworth writers