Plato to Elliot: A Literary CriticismKitab Mahal, 1965 - 198 من الصفحات |
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النتائج 1-3 من 63
الصفحة 94
... human personality and to bring wisdom to human mind . Thus the end of art is to enlarge and widen man's mental horizon . Art is wedded to humanism . The greatest art will definitely bring in the greatest treasure to humanity . Hence ...
... human personality and to bring wisdom to human mind . Thus the end of art is to enlarge and widen man's mental horizon . Art is wedded to humanism . The greatest art will definitely bring in the greatest treasure to humanity . Hence ...
الصفحة 152
... human race might willingly adopt them as its spokesman , recognising that on these lines their style and utterance may stand as those , not of bounded individuals , but of the human race . So Homer speaks for the human race , and with ...
... human race might willingly adopt them as its spokesman , recognising that on these lines their style and utterance may stand as those , not of bounded individuals , but of the human race . So Homer speaks for the human race , and with ...
الصفحة 197
... humanity , and is busy in awakening human conscious- ness from a stage of stupor . He feels that literature should speak of ' permanent human impulse ' . A writer should be an observer of human nature - but his observations should be de ...
... humanity , and is busy in awakening human conscious- ness from a stage of stupor . He feels that literature should speak of ' permanent human impulse ' . A writer should be an observer of human nature - but his observations should be de ...
عبارات ومصطلحات مألوفة
accept according action activity Aeschylus aesthetic ancient appears appreciation approach Aristotle Arnold artist asks beauty believes brings called century character classical Coleridge comedy common conception conscious creation deals definition delight distinction drama Dryden effect Eliot emotion English epic essay essential experience expression fact fancy feels follow forces gives Greek human ideal ideas imagination imitation importance inspired interested Johnson kind knowledge language literary criticism literature living Marxism matter means mind moral nature never object particular passions past perfection personality philosophical Plato play pleasure plot poem poet poetic poetry practical present principles production qualities readers reality reason relations romantic rules says seeks sense Shakespeare Sidney social soul speaks spirit style takes talks theory things thought tion tradition tragedy true truth unity universal wants whole Wordsworth writers