Plato to Elliot: A Literary CriticismKitab Mahal, 1965 - 198 من الصفحات |
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الصفحة 68
... matter . The end of a writer is to speak out the truth that he thinks to be . Ostentatious style will naturally hamper his expression . Jonson next turns his attention to diction . About diction he says that it should always be suitable ...
... matter . The end of a writer is to speak out the truth that he thinks to be . Ostentatious style will naturally hamper his expression . Jonson next turns his attention to diction . About diction he says that it should always be suitable ...
الصفحة 168
... matter of reality . Intuitions may be free from the concepts of space and time : " We have intuition without space ... matter ' . Without matter ' no human knowledge or activity is possible ; but mere matter pro- 1 Aesthetic p . 2-3 . 2 ...
... matter of reality . Intuitions may be free from the concepts of space and time : " We have intuition without space ... matter ' . Without matter ' no human knowledge or activity is possible ; but mere matter pro- 1 Aesthetic p . 2-3 . 2 ...
الصفحة 169
... Matter , clothed and conquered by form , produces concrete form . It is the matter , the content , which differentiates one of our intuitions from another ; the form is constant : it is spiritual activity , while matter is changeable ...
... Matter , clothed and conquered by form , produces concrete form . It is the matter , the content , which differentiates one of our intuitions from another ; the form is constant : it is spiritual activity , while matter is changeable ...
عبارات ومصطلحات مألوفة
accept according action activity Aeschylus aesthetic ancient appears appreciation approach Aristotle Arnold artist asks beauty believes brings called century character classical Coleridge comedy common conception conscious creation deals definition delight distinction drama Dryden effect Eliot emotion English epic essay essential experience expression fact fancy feels follow forces gives Greek human ideal ideas imagination imitation importance inspired interested Johnson kind knowledge language literary criticism literature living Marxism matter means mind moral nature never object particular passions past perfection personality philosophical Plato play pleasure plot poem poet poetic poetry practical present principles production qualities readers reality reason relations romantic rules says seeks sense Shakespeare Sidney social soul speaks spirit style takes talks theory things thought tion tradition tragedy true truth unity universal wants whole Wordsworth writers