Plato to Elliot: A Literary CriticismKitab Mahal, 1965 - 198 من الصفحات |
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الصفحة 73
... nature and art to its ultimate perfection . According to him , nothing is beautiful that is not true , and nothing is true that is not in nature . Truth , for classicism , is the final test of everything , including beauty , and hence ...
... nature and art to its ultimate perfection . According to him , nothing is beautiful that is not true , and nothing is true that is not in nature . Truth , for classicism , is the final test of everything , including beauty , and hence ...
الصفحة 74
... nature , and showed that there is nothing arbitrary in the autho rity of the ancients . For Vida , nature is to be followed on the authority of the classics ; for Boileau , the classics are to be followed on the authority of nature and ...
... nature , and showed that there is nothing arbitrary in the autho rity of the ancients . For Vida , nature is to be followed on the authority of the classics ; for Boileau , the classics are to be followed on the authority of nature and ...
الصفحة 85
... nature , wit and his ideas of a good critic . He does not , however , talk much about the origin of poetry and the fundamentals which go to make a poet , though he only once mentions invention or the role of imagination in poetry . Pope ...
... nature , wit and his ideas of a good critic . He does not , however , talk much about the origin of poetry and the fundamentals which go to make a poet , though he only once mentions invention or the role of imagination in poetry . Pope ...
عبارات ومصطلحات مألوفة
accept according action activity Aeschylus aesthetic ancient appears appreciation approach Aristotle Arnold artist asks beauty believes brings called century character classical Coleridge comedy common conception conscious creation deals definition delight distinction drama Dryden effect Eliot emotion English epic essay essential experience expression fact fancy feels follow forces gives Greek human ideal ideas imagination imitation importance inspired interested Johnson kind knowledge language literary criticism literature living Marxism matter means mind moral nature never object particular passions past perfection personality philosophical Plato play pleasure plot poem poet poetic poetry practical present principles production qualities readers reality reason relations romantic rules says seeks sense Shakespeare Sidney social soul speaks spirit style takes talks theory things thought tion tradition tragedy true truth unity universal wants whole Wordsworth writers