Plato to Elliot: A Literary CriticismKitab Mahal, 1965 - 198 من الصفحات |
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الصفحة 109
... passions of the dramatic characters themselves . Catharsis is the reconciling rounding - off which is demanded of all drama , indeed of all works of poetry . This occurs in tragedy at the end of the play , through a kind of human ...
... passions of the dramatic characters themselves . Catharsis is the reconciling rounding - off which is demanded of all drama , indeed of all works of poetry . This occurs in tragedy at the end of the play , through a kind of human ...
الصفحة 115
... passions and affections of the mind , from which all rules arise , and to which they are referable . " Wordsworth speaks against the frigid and abstract style of the eighteenth century . He calls that diction as ' vicious ...
... passions and affections of the mind , from which all rules arise , and to which they are referable . " Wordsworth speaks against the frigid and abstract style of the eighteenth century . He calls that diction as ' vicious ...
الصفحة 116
... passion , man speaks figuratively . Thus the metaphorical language is primitive in its origin . Wordsworth is one of ... passions as manifested in the goings - on of the Universe , and habitually impelled to create them where he does not ...
... passion , man speaks figuratively . Thus the metaphorical language is primitive in its origin . Wordsworth is one of ... passions as manifested in the goings - on of the Universe , and habitually impelled to create them where he does not ...
عبارات ومصطلحات مألوفة
accept according action activity Aeschylus aesthetic ancient appears appreciation approach Aristotle Arnold artist asks beauty believes brings called century character classical Coleridge comedy common conception conscious creation deals definition delight distinction drama Dryden effect Eliot emotion English epic essay essential experience expression fact fancy feels follow forces gives Greek human ideal ideas imagination imitation importance inspired interested Johnson kind knowledge language literary criticism literature living Marxism matter means mind moral nature never object particular passions past perfection personality philosophical Plato play pleasure plot poem poet poetic poetry practical present principles production qualities readers reality reason relations romantic rules says seeks sense Shakespeare Sidney social soul speaks spirit style takes talks theory things thought tion tradition tragedy true truth unity universal wants whole Wordsworth writers