Plato to Elliot: A Literary CriticismKitab Mahal, 1965 - 198 من الصفحات |
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الصفحة 63
... says that the world created by the poet is a better world than the real one . The use of imagination for its own sake is but for the sake of greater creation . Secondly , Sidney proves himself to be a disciple of Plato . Inasmuch as he says ...
... says that the world created by the poet is a better world than the real one . The use of imagination for its own sake is but for the sake of greater creation . Secondly , Sidney proves himself to be a disciple of Plato . Inasmuch as he says ...
الصفحة 64
... says that " it openeth the greatest wounds , and showeth forth the Ulcers that are covered with Tissues , that maketh Kings fear to be Tyrants and Tyrants manifest their tyrannical humours ; that with stirring the effects of admiration ...
... says that " it openeth the greatest wounds , and showeth forth the Ulcers that are covered with Tissues , that maketh Kings fear to be Tyrants and Tyrants manifest their tyrannical humours ; that with stirring the effects of admiration ...
الصفحة 95
... says , is not science ; it is not mathematics- it is not absolute and abstractly demonstrable , but the artist is to learn through experiences . Here he will be helped by his imagina- tion , intuition and sympathetic understanding of ...
... says , is not science ; it is not mathematics- it is not absolute and abstractly demonstrable , but the artist is to learn through experiences . Here he will be helped by his imagina- tion , intuition and sympathetic understanding of ...
عبارات ومصطلحات مألوفة
accept according action activity Aeschylus aesthetic ancient appears appreciation approach Aristotle Arnold artist asks beauty believes brings called century character classical Coleridge comedy common conception conscious creation deals definition delight distinction drama Dryden effect Eliot emotion English epic essay essential experience expression fact fancy feels follow forces gives Greek human ideal ideas imagination imitation importance inspired interested Johnson kind knowledge language literary criticism literature living Marxism matter means mind moral nature never object particular passions past perfection personality philosophical Plato play pleasure plot poem poet poetic poetry practical present principles production qualities readers reality reason relations romantic rules says seeks sense Shakespeare Sidney social soul speaks spirit style takes talks theory things thought tion tradition tragedy true truth unity universal wants whole Wordsworth writers