Plato to Elliot: A Literary CriticismKitab Mahal, 1965 - 198 من الصفحات |
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الصفحة 24
... speaks about poetic truth , different- tiates between art and morality and seeks to study the end of art . But taking as a whole , Poetics seems to be primarily a reply to the strictures of Plato . Plato had spoken against epic poetry ...
... speaks about poetic truth , different- tiates between art and morality and seeks to study the end of art . But taking as a whole , Poetics seems to be primarily a reply to the strictures of Plato . Plato had spoken against epic poetry ...
الصفحة 82
... speaks in favour of the classical unities and against the use of heroic couplet and rhymed verse in the 17th century drama . Neander upholds the use of rhyme in tragedies and supports Shakespeare's non- observance of the classical ...
... speaks in favour of the classical unities and against the use of heroic couplet and rhymed verse in the 17th century drama . Neander upholds the use of rhyme in tragedies and supports Shakespeare's non- observance of the classical ...
الصفحة 110
... speaks only of the technique of tragedy , think of the effect , and what more , the remote effect , which tragedy would probably have on the spectator ? By no means ! He expresses it clearly and accurately when tragedy has passed ...
... speaks only of the technique of tragedy , think of the effect , and what more , the remote effect , which tragedy would probably have on the spectator ? By no means ! He expresses it clearly and accurately when tragedy has passed ...
عبارات ومصطلحات مألوفة
accept according action activity Aeschylus aesthetic ancient appears appreciation approach Aristotle Arnold artist asks beauty believes brings called century character classical Coleridge comedy common conception conscious creation deals definition delight distinction drama Dryden effect Eliot emotion English epic essay essential experience expression fact fancy feels follow forces gives Greek human ideal ideas imagination imitation importance inspired interested Johnson kind knowledge language literary criticism literature living Marxism matter means mind moral nature never object particular passions past perfection personality philosophical Plato play pleasure plot poem poet poetic poetry practical present principles production qualities readers reality reason relations romantic rules says seeks sense Shakespeare Sidney social soul speaks spirit style takes talks theory things thought tion tradition tragedy true truth unity universal wants whole Wordsworth writers