Plato to Elliot: A Literary CriticismKitab Mahal, 1965 - 198 من الصفحات |
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الصفحة 53
... Style is of no significance if the proper subject is not there . Stately style is needed for tragedy which is the best of all litera- ture . " By tragedy we bring in the higher style , by comedy , the lower style by elegy we understand the ...
... Style is of no significance if the proper subject is not there . Stately style is needed for tragedy which is the best of all litera- ture . " By tragedy we bring in the higher style , by comedy , the lower style by elegy we understand the ...
الصفحة 68
... style are Quintilian and Vives . Style is the expression of personality . Language , he says , mostly shows the man because it springs out of the most retired and inmost parts of his being . Therefore , careless speech will detract us ...
... style are Quintilian and Vives . Style is the expression of personality . Language , he says , mostly shows the man because it springs out of the most retired and inmost parts of his being . Therefore , careless speech will detract us ...
الصفحة 162
... style . The mind in style is that condition of literary art which gives logical structure to a work of art - the awareness of the architectural conception of art . The soul in style is the personality of the artist which is communicated ...
... style . The mind in style is that condition of literary art which gives logical structure to a work of art - the awareness of the architectural conception of art . The soul in style is the personality of the artist which is communicated ...
عبارات ومصطلحات مألوفة
accept according action activity Aeschylus aesthetic ancient appears appreciation approach Aristotle Arnold artist asks beauty believes brings called century character classical Coleridge comedy common conception conscious creation deals definition delight distinction drama Dryden effect Eliot emotion English epic essay essential experience expression fact fancy feels follow forces gives Greek human ideal ideas imagination imitation importance inspired interested Johnson kind knowledge language literary criticism literature living Marxism matter means mind moral nature never object particular passions past perfection personality philosophical Plato play pleasure plot poem poet poetic poetry practical present principles production qualities readers reality reason relations romantic rules says seeks sense Shakespeare Sidney social soul speaks spirit style takes talks theory things thought tion tradition tragedy true truth unity universal wants whole Wordsworth writers