Plato to Elliot: A Literary CriticismKitab Mahal, 1965 - 198 من الصفحات |
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الصفحة 30
... thought ; for it is by these that we qualify actions themselves , and these thought and character- are the two natural causes from which actions spring , and on actions again all success or failure depends . Hence , the plot is the ...
... thought ; for it is by these that we qualify actions themselves , and these thought and character- are the two natural causes from which actions spring , and on actions again all success or failure depends . Hence , the plot is the ...
الصفحة 48
... thought and body must also be properly married . For thought , one can go to Socrates and his dialogues . With such thought , one should have genuine artistry . Horace points out some of the common shortcomings of style : 1 Ars Poetica ...
... thought and body must also be properly married . For thought , one can go to Socrates and his dialogues . With such thought , one should have genuine artistry . Horace points out some of the common shortcomings of style : 1 Ars Poetica ...
الصفحة 182
... thought in it . We can see still more clearly that thought is not the prime factor if we consider for a moment not the experience of the reader but that of the poet . Why does the poet use these words and no others ? Not because they ...
... thought in it . We can see still more clearly that thought is not the prime factor if we consider for a moment not the experience of the reader but that of the poet . Why does the poet use these words and no others ? Not because they ...
عبارات ومصطلحات مألوفة
accept according action activity Aeschylus aesthetic ancient appears appreciation approach Aristotle Arnold artist asks beauty believes brings called century character classical Coleridge comedy common conception conscious creation deals definition delight distinction drama Dryden effect Eliot emotion English epic essay essential experience expression fact fancy feels follow forces gives Greek human ideal ideas imagination imitation importance inspired interested Johnson kind knowledge language literary criticism literature living Marxism matter means mind moral nature never object particular passions past perfection personality philosophical Plato play pleasure plot poem poet poetic poetry practical present principles production qualities readers reality reason relations romantic rules says seeks sense Shakespeare Sidney social soul speaks spirit style takes talks theory things thought tion tradition tragedy true truth unity universal wants whole Wordsworth writers