Plato to Elliot: A Literary CriticismKitab Mahal, 1965 - 198 من الصفحات |
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الصفحة 30
... Tragedy . Next in order come Song and Diction , for these are the medium of imitation . By ' Diction ' I mean the mere metrical arrange- ment of the words : as for ' Song ' , it is a term whose sense everyone understands . " Again , tragedy ...
... Tragedy . Next in order come Song and Diction , for these are the medium of imitation . By ' Diction ' I mean the mere metrical arrange- ment of the words : as for ' Song ' , it is a term whose sense everyone understands . " Again , tragedy ...
الصفحة 34
... tragedy , according to Aristotle , always lie within the character of the hero . It is his own fault that brings him ... tragedy , which lies in the storm and stress set up between character and circumstances too strong for it . There is ...
... tragedy , according to Aristotle , always lie within the character of the hero . It is his own fault that brings him ... tragedy , which lies in the storm and stress set up between character and circumstances too strong for it . There is ...
الصفحة 38
... tragedy . Primarily the differences are in their respec- tive length and metre . A tragedy is necessarily conditioned by time - the time which the spectator would like to spend in the auditorium ( hall ) . The epic is not conditioned by ...
... tragedy . Primarily the differences are in their respec- tive length and metre . A tragedy is necessarily conditioned by time - the time which the spectator would like to spend in the auditorium ( hall ) . The epic is not conditioned by ...
عبارات ومصطلحات مألوفة
accept according action activity Aeschylus aesthetic ancient appears appreciation approach Aristotle Arnold artist asks beauty believes brings called century character classical Coleridge comedy common conception conscious creation deals definition delight distinction drama Dryden effect Eliot emotion English epic essay essential experience expression fact fancy feels follow forces gives Greek human ideal ideas imagination imitation importance inspired interested Johnson kind knowledge language literary criticism literature living Marxism matter means mind moral nature never object particular passions past perfection personality philosophical Plato play pleasure plot poem poet poetic poetry practical present principles production qualities readers reality reason relations romantic rules says seeks sense Shakespeare Sidney social soul speaks spirit style takes talks theory things thought tion tradition tragedy true truth unity universal wants whole Wordsworth writers