Plato to Elliot: A Literary CriticismKitab Mahal, 1965 - 198 من الصفحات |
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الصفحة 95
... wants the study of the past in order to widen his personality and to keep his mind open . He never for a moment asks for the rigid following of ancient rules . He says that a genius starts afresh - he starts " where known valgour and ...
... wants the study of the past in order to widen his personality and to keep his mind open . He never for a moment asks for the rigid following of ancient rules . He says that a genius starts afresh - he starts " where known valgour and ...
الصفحة 141
... wants to transfer his ' gusto ' to his readers . He says : " I have undertaken . merely to read over a set of authors with the audience , as I would do with a friend , to point out a favourite passage , to explain an objection ; or if a ...
... wants to transfer his ' gusto ' to his readers . He says : " I have undertaken . merely to read over a set of authors with the audience , as I would do with a friend , to point out a favourite passage , to explain an objection ; or if a ...
الصفحة 153
... wants that men should keep their mind and eyes open to receive the new and to respect the old . There must be that " desire after the things of mind simply for their own sakes and for the pleasure of seeing them as they are . " The ...
... wants that men should keep their mind and eyes open to receive the new and to respect the old . There must be that " desire after the things of mind simply for their own sakes and for the pleasure of seeing them as they are . " The ...
عبارات ومصطلحات مألوفة
accept according action activity Aeschylus aesthetic ancient appears appreciation approach Aristotle Arnold artist asks beauty believes brings called century character classical Coleridge comedy common conception conscious creation deals definition delight distinction drama Dryden effect Eliot emotion English epic essay essential experience expression fact fancy feels follow forces gives Greek human ideal ideas imagination imitation importance inspired interested Johnson kind knowledge language literary criticism literature living Marxism matter means mind moral nature never object particular passions past perfection personality philosophical Plato play pleasure plot poem poet poetic poetry practical present principles production qualities readers reality reason relations romantic rules says seeks sense Shakespeare Sidney social soul speaks spirit style takes talks theory things thought tion tradition tragedy true truth unity universal wants whole Wordsworth writers