Studies of Shakespeare: In the Plays of King John, Cymbeline, Macbeth, As You Like It, Much Ado about Nothing, Romeo and Juliet, with Observations on the Criticism and the Acting of Those PlaysLongman Brown, Green and Longmans, 1847 - 384 من الصفحات |
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الصفحة 13
... auditor . So far , then , from representing either Arthur or his mother as ambitious , the poet , in legitimate pursuit of his dramatic object , has studiously excluded from view every historical circumstance that could countenance the ...
... auditor . So far , then , from representing either Arthur or his mother as ambitious , the poet , in legitimate pursuit of his dramatic object , has studiously excluded from view every historical circumstance that could countenance the ...
الصفحة 34
... auditor is doubtless painful , as the shrieking accents are to his ear ; yet both are necessary to the full dramatic force and beauty of the passage . The woes of Constance and her son are to be visited in retributive justice on their ...
... auditor is doubtless painful , as the shrieking accents are to his ear ; yet both are necessary to the full dramatic force and beauty of the passage . The woes of Constance and her son are to be visited in retributive justice on their ...
الصفحة 35
... auditor , by breaking the continuity of the heroine's effusions of despair , - but also to give double effect to those effusions , by the impression which the exquisite poetry of this passage shows to be made by her cureless affliction ...
... auditor , by breaking the continuity of the heroine's effusions of despair , - but also to give double effect to those effusions , by the impression which the exquisite poetry of this passage shows to be made by her cureless affliction ...
الصفحة 40
... auditor . Instead of alternately bending and raising her figure , as if diverting the child's attention with some light and varied conversation , Elinor's representative remains stooping over him , and he looking up to her , in one ...
... auditor . Instead of alternately bending and raising her figure , as if diverting the child's attention with some light and varied conversation , Elinor's representative remains stooping over him , and he looking up to her , in one ...
الصفحة 41
... to how far the present Lady Faulconbridge fulfils this condition . It is just one of those points whereupon each auditor must be left to judge for himself . We III . CHARACTERS IN CYMBELINE . ' 1. IMOGEN AND E 2 THE LADY BLANCH , & c . 41.
... to how far the present Lady Faulconbridge fulfils this condition . It is just one of those points whereupon each auditor must be left to judge for himself . We III . CHARACTERS IN CYMBELINE . ' 1. IMOGEN AND E 2 THE LADY BLANCH , & c . 41.
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عبارات ومصطلحات مألوفة
acting actress affection already ambition apprehension auditor Banquo Beat Beatrice beauty Benedick Benvolio breast breath character charm conception cousin critic Cymbeline death dignity doth dramatic dramatist Elinor exclamation expression exquisite eyes false father Faulconbridge fear feeling feminine genius gentle give grace Guiderius hand hath hear heart heaven Helen Faucit hero heroine heroine's histrionic honour husband Iachimo ideal imagination Imogen intellect Jameson Juliet king Lady Constance Lady Macbeth Leonatus less lips living look lord lover Macduff marriage matter Mercutio mind moral murder nature noble Nurse observe once Orlando passage passion peculiarly performance person piece Pisanio play poet poetical Posthumus present racter remorse Romeo Romeo and Juliet Rosalind scene seems selfish Shake Shakespeare Shakespearian shew Siddons Siddons's soul speak spirit stage sweet sympathy tell tender thane theatrical thee tion true Tybalt weird sisters wife woman words youth
مقاطع مشهورة
الصفحة 313 - Do not swear at all ; Or, if thou wilt, swear by thy gracious self, Which is the god of my idolatry, And I'll believe thee.
الصفحة 336 - It was the lark, the herald of the morn, No nightingale : look, love, what envious streaks Do lace the severing clouds in yonder east : Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops; I must be gone and live, or stay and die.
الصفحة 114 - The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
الصفحة 362 - Ah, dear Juliet, Why art thou yet so fair? Shall I believe That unsubstantial death is amorous ; And that the lean abhorred monster keeps Thee here in dark to be his paramour?
الصفحة 112 - Cannot be ill ; cannot be good : — if ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair. And make my seated heart knock at my ribs, Against the use of nature...
الصفحة 19 - And, father cardinal, I have heard you say That we shall see and know our friends in heaven: If that be true, I shall see my boy again; For since the birth of Cain, the first male child, To him that did but yesterday suspire, There was not such a gracious creature born.
الصفحة 310 - What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that name which is no part of thee Take all myself.
الصفحة 310 - O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name! Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet.
الصفحة 134 - O, full of scorpions is my mind, dear wife ! Thou know'st that Banquo, and his Fleance, lives. Lady M. But in them nature's copy's not eterne. Macb. There's comfort yet ; they are assailable ; Then be thou jocund : ere the bat hath flown His cloister'd flight, ere to black Hecate's summons The shard-borne beetle with his drowsy hums Hath rung night's yawning peal, there shall be done A deed of dreadful note.
الصفحة 125 - Methought I heard a voice cry "Sleep no more! Macbeth does murder sleep," the innocent sleep, Sleep that knits up the ravell'd sleave of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast, — Lady M.