Studies of Shakespeare: In the Plays of King John, Cymbeline, Macbeth, As You Like It, Much Ado about Nothing, Romeo and Juliet, with Observations on the Criticism and the Acting of Those PlaysLongman Brown, Green and Longmans, 1847 - 384 من الصفحات |
من داخل الكتاب
النتائج 1-5 من 39
الصفحة 14
... contrasts of character in which Shakespeare so much delighted — that between Constance and Elinor , which is perfect in every way . The whole conduct and language of Constance in the piece , shew that her excessive fondness for her son ...
... contrasts of character in which Shakespeare so much delighted — that between Constance and Elinor , which is perfect in every way . The whole conduct and language of Constance in the piece , shew that her excessive fondness for her son ...
الصفحة 28
... contrast , in fact - that great element of the romantic drama , as of all romantic art — which Shakespeare delighted to employ , not only in op- posing one character to another , but in developing each character individually , is ...
... contrast , in fact - that great element of the romantic drama , as of all romantic art — which Shakespeare delighted to employ , not only in op- posing one character to another , but in developing each character individually , is ...
الصفحة 29
... contrast , to derive all that startling boldness of relief which the dramatist himself has given to those electric passages . Labouring , too , under the misconception already pointed out , as to the essential qualities of the cha ...
... contrast , to derive all that startling boldness of relief which the dramatist himself has given to those electric passages . Labouring , too , under the misconception already pointed out , as to the essential qualities of the cha ...
الصفحة 31
... contrast which , we have already observed , is in the very essence of the part , as it is in that of the whole Shakespearian drama . 6 Thus it is that the caressing of her boy , while seated on the ground , according to the true Shake ...
... contrast which , we have already observed , is in the very essence of the part , as it is in that of the whole Shakespearian drama . 6 Thus it is that the caressing of her boy , while seated on the ground , according to the true Shake ...
الصفحة 37
... contrasts finely , throughout the piece , with the mutual tenderness between Constance and her son . The " little prince " desires not greatness at all ; and his mother desires it only for his sake . Elinor and John love power equally ...
... contrasts finely , throughout the piece , with the mutual tenderness between Constance and her son . The " little prince " desires not greatness at all ; and his mother desires it only for his sake . Elinor and John love power equally ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acting actress affection already ambition apprehension auditor Banquo Beat Beatrice beauty Benedick Benvolio breast breath character charm conception cousin critic Cymbeline death dignity doth dramatic dramatist Elinor exclamation expression exquisite eyes false father Faulconbridge fear feeling feminine genius gentle give grace Guiderius hand hath hear heart heaven Helen Faucit hero heroine heroine's histrionic honour husband Iachimo ideal imagination Imogen intellect Jameson Juliet king Lady Constance Lady Macbeth Leonatus less lips living look lord lover Macduff marriage matter Mercutio mind moral murder nature noble Nurse observe once Orlando passage passion peculiarly performance person piece Pisanio play poet poetical Posthumus present racter remorse Romeo Romeo and Juliet Rosalind scene seems selfish Shake Shakespeare Shakespearian shew Siddons Siddons's soul speak spirit stage sweet sympathy tell tender thane theatrical thee tion true Tybalt weird sisters wife woman words youth
مقاطع مشهورة
الصفحة 313 - Do not swear at all ; Or, if thou wilt, swear by thy gracious self, Which is the god of my idolatry, And I'll believe thee.
الصفحة 336 - It was the lark, the herald of the morn, No nightingale : look, love, what envious streaks Do lace the severing clouds in yonder east : Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops; I must be gone and live, or stay and die.
الصفحة 114 - The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
الصفحة 362 - Ah, dear Juliet, Why art thou yet so fair? Shall I believe That unsubstantial death is amorous ; And that the lean abhorred monster keeps Thee here in dark to be his paramour?
الصفحة 112 - Cannot be ill ; cannot be good : — if ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair. And make my seated heart knock at my ribs, Against the use of nature...
الصفحة 19 - And, father cardinal, I have heard you say That we shall see and know our friends in heaven: If that be true, I shall see my boy again; For since the birth of Cain, the first male child, To him that did but yesterday suspire, There was not such a gracious creature born.
الصفحة 310 - What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that name which is no part of thee Take all myself.
الصفحة 310 - O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name! Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet.
الصفحة 134 - O, full of scorpions is my mind, dear wife ! Thou know'st that Banquo, and his Fleance, lives. Lady M. But in them nature's copy's not eterne. Macb. There's comfort yet ; they are assailable ; Then be thou jocund : ere the bat hath flown His cloister'd flight, ere to black Hecate's summons The shard-borne beetle with his drowsy hums Hath rung night's yawning peal, there shall be done A deed of dreadful note.
الصفحة 125 - Methought I heard a voice cry "Sleep no more! Macbeth does murder sleep," the innocent sleep, Sleep that knits up the ravell'd sleave of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast, — Lady M.