Noontide leisure; or, Sketches in summer1824 |
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الصفحة
... OBJECT HAS BEEN TO UNFOLD ITS AUTHOR'S CONCEPTION OF THE MORAL AND DOMESTIC FEELINGS OF THE BARD OF AVON , ARE INSCRibed , BY ONE , WHOSE ADMIRATION OF THE PRIVATE CHARACTER OF THE POET , FAINTLY AS IT HAS BEEN SHADOWED OUT BY TRADITION ...
... OBJECT HAS BEEN TO UNFOLD ITS AUTHOR'S CONCEPTION OF THE MORAL AND DOMESTIC FEELINGS OF THE BARD OF AVON , ARE INSCRibed , BY ONE , WHOSE ADMIRATION OF THE PRIVATE CHARACTER OF THE POET , FAINTLY AS IT HAS BEEN SHADOWED OUT BY TRADITION ...
الصفحة 1
... object charms ! With thee , even books A higher relish gain . The poet's lay Grows sweeter in the shade of wavy woods , Or lulling lapse of crystal stream beside ; Dim umbrage lends to philosophic lore Severer thought ; and Meditation ...
... object charms ! With thee , even books A higher relish gain . The poet's lay Grows sweeter in the shade of wavy woods , Or lulling lapse of crystal stream beside ; Dim umbrage lends to philosophic lore Severer thought ; and Meditation ...
الصفحة 5
... object of his fond desire . He reads the joyful summons to return ; Beholds the bark prepar'd , the swelling sail ; Hears the impatient seamen murmur ; grasps The pendent rope exulting ; climbs the deck ; Skims o'er the wave , and hails ...
... object of his fond desire . He reads the joyful summons to return ; Beholds the bark prepar'd , the swelling sail ; Hears the impatient seamen murmur ; grasps The pendent rope exulting ; climbs the deck ; Skims o'er the wave , and hails ...
الصفحة 13
... objects which attract but to de- lude the giddy and the thoughtless multitude , but those which , with a more imposing aspect , absorb and lead astray , the grave , the busy , and ambitious . It was thus that Gray , the most moral as ...
... objects which attract but to de- lude the giddy and the thoughtless multitude , but those which , with a more imposing aspect , absorb and lead astray , the grave , the busy , and ambitious . It was thus that Gray , the most moral as ...
الصفحة 18
... object of this narrative has been to bring forward a picture of the moral , social , and domestic life of Shakspeare in accordance with the few traits which tradition has preserved of his personal history . No one can be more aware than ...
... object of this narrative has been to bring forward a picture of the moral , social , and domestic life of Shakspeare in accordance with the few traits which tradition has preserved of his personal history . No one can be more aware than ...
عبارات ومصطلحات مألوفة
admiration appeared ation bard beauty Ben Jonson beneath Bertha bosom breast C'est Chant character charms chensey cher Chimæras cœur colours cottage cried daugh daughter dear delight effect English Garden exclaimed father favourite feelings garden gentle gloom grace ground grove Hadleigh happy heard heart Helen Montchensey heureux hope Hubert Gray interest Jardins justly kind landscape light Lille Lord Southampton magic edge manner Master Shakspeare mind Mont Morley morning Muse nature New-Place night o'er passage peace Peterhouse Petrarch pleasure poem poet poetry racter Raymond Neville recollect remarked replied rocks Roland scarcely scene scenery seemed shade Shak Simon Fraser sleep smiling song sonnets soon sorrow soul spirit Stratford stream sweet taste tears thee Thomas Lucy thou thought translator trees valley Vaucluse verdure whilst wild wood Wyeburne Hall yeux young youth
مقاطع مشهورة
الصفحة 313 - Entreat me not to leave thee, or to return from following after thee; for whither thou goest, I will go; and where thou lodgest, I will lodge. Thy people shall be my people, and thy God my God. Where thou diest, will I die, and there will I be buried. The Lord do so to me, and more also, if aught but death part thee and me.
الصفحة 10 - And, when the sun begins to fling His flaring beams, me, Goddess, bring To arched walks of twilight groves, And shadows brown, that Sylvan loves, Of pine, or monumental oak, Where the rude axe with heaved stroke Was never heard the Nymphs to daunt, Or fright them from their hallowed haunt.
الصفحة 8 - Linquenda tellus et domus et placens Uxor, neque harum, quas colis, arborum Te praeter invisas cupressos Ulla brevem dominum sequetur.
الصفحة 10 - Softly on my eyelids laid ; And, as I wake, sweet music breathe Above, about, or underneath, Sent by some spirit to mortals good, Or the unseen Genius of the wood.
الصفحة 13 - Where'er the oak's thick branches stretch A broader browner shade; Where'er the rude and moss-grown beech O'er-canopies the glade, Beside some water's rushy brink With me the Muse shall sit, and think (At ease reclined in rustic state) How vain the ardour of the crowd, How low, how little are the proud, How indigent the great...
الصفحة 16 - ... male necne Lepos saltet; sed quod magis ad nos pertinet et nescire malum est agitamus: utrumne divitiis homines an sint virtute beati; quidve ad amicitias, usus rectumne, trahat nos; 75 et quae sit natura boni summumque quid eius.
الصفحة 69 - The spinsters and the knitters in the sun, And the free maids that weave their thread with bones, Do use to chant it ; it is silly sooth, And dallies with the innocence of love, Like the old age.
الصفحة 4 - Welcome, ye shades ! ye bowery thickets, hail ! Ye lofty pines ! ye venerable oaks ! Ye ashes wild, resounding o'er the steep ! Delicious is your shelter to the soul, As to the hunted hart the sallying spring...
الصفحة 250 - Many of his elegies appear to have been written in his eighteenth year, by which it appears that he had then read the Roman authors with very nice discernment. I once heard Mr Hampton, the translator of Polybius, remark, what I think is true, that Milton was the first Englishman who, after the revival of letters, wrote Latin verses with classic elegance.
الصفحة 282 - So saying, her rash hand in evil hour Forth reaching to the Fruit, she pluck'd, she eat: Earth felt the wound, and Nature from her seat Sighing through all her Works gave signs of woe, That all was lost.