Rhythm, difficulties in restoring it to the stage, ii, 251
Richter, Jean Paul, his impressions of Goethe, ii, 265; his impression of Schiller, 266
Riemer, his charges against Bettina, ii, 362, 364
Riese, Goethe's letter to, from Leipsic, i, 57
Roman elegies, composition of, ii, 89 Romantic school in Germany, charac- ter of, ii, 216; tendency to Catho- licism, 218; enthusiasm for mystic- ism, ib.; its services, 220; Goethe's later tendency towards it, 401 Rome, Goethe's residence at, ii, 55 Romeo and Juliet, Goethe's attempt to recast it, ii, 255; character of Shakspeare's play, ib.; Goethe's injurious alteration, 257
Rosenkranz, his criticism on Wer- ther, i, 222; on Hermann und Do- rothea, ii, 239
Round table and knights at Wetzlar, i, 168
Pustkuchen, his attack on Goethe, ii, ST. HILAIRE, Auguste, recognizes the
RAPHAEL'S Cartoons, seen with enthu-
siasm by Goethe, i, 96 Real or objective intellects contrasted with ideal or subjective intellects, i, 72; Goethe, a realist, 74; realism the characteristic of Greek art, 235; perpetual struggle between realism and idealism, 242; especial mani festation of realism in the Nibelun- gen Lied, 243; realistic reaction brought about by the crusades, 246; Wieland, the representative of Ger- man realism, 252; Goethe, the real- ist, 259
Reflection, its false tendency, ii, 216; its ill effect on Goethe, 267; a sign of decay, 425
Reformation, its effect on literature, i, 248
Refraction, phenomena of, Goethe's
explanation of, ii, 127; source of his error in his rejection of every mathemattcal explanation, 128 Reinecke Fuchs, ii, 180 Religion, Goethe's, i, 91; ii, 390 Republican principles, absurdities of, in the eyes of Goethe, ii, 166 Reuss, prince, ii, 170
Revolution, French, Goethe's opposi- tion to, ii, 164; his indifference to the revolution of 1830, 436
scientific labours of Goethe in re- ference to the theory of the meta- morphoses of plants, ii, 116
St. Hilaire, Geoffroy, his testimony to Goethe's labours in organic science, ii, 133; his contest with Cuvier con- cerning the unity of composition in the animal kingdom, 436 Saltzmann, Dr., i, 94, 103 Sand, George, her letter to Geoffroy St. Hilaire concerning the unity of composition in the animal kingdom, ii, 438
Saxe-Weimar, see Weimar Schellhorn, Frau Cornelia, i, 8 Schelling, a convert to Goethe's erro-
neous theory of refraction, ii, 130 Schiller, the true poetic idealist, i, 260; ennobled against his wish, 324; his remarks on the difference between prose and poetic writing, ii, 7; his criticism on Goethe's Iphi- genia, 12; first sight of Goethe, 30; his description of Goethe to Körner,80; Goethe holds aloof from him, 81; his difficult circumstances, 83; unrecognized at Weimar, 84; his remarks upon how far a poet is justified in disregarding the con- ventional proprieties of his age, ii, 91; his friendship with Goethe, 185; their profound dissimilarity, ib.; Schiller's unhealthy practice of lite-
rature, 186; the representative of idealism, 187; his earnestness in art, 188; phases of his development, 189; his influence on Goethe, 190, 215; receives the diploma of French citizenship, 192; publication of Die Horen, 193; his opinion of Goethe's theory of Metamorphoses, 194; pub- lication of Xenien, 198; his opi- nion of Wilhelm Meister, 205; his reply to Jacobi's animadversions, 211; extract from his criticism, 213; obtains from Goethe a plan of Wil- liam Tell, 222; attempts to create an ideal drama for the cultivated few, 241; his last years, 263; Jean Paul Richter's impression of him, 266; partizanship of the admirers of Goethe and Schiller, 268; Kot- zebue's unsuccessful effort to create a coolness, ib.; Herder's jealousy of Schiller, 271; last illness and death, 276
Schlegel and Tieck's translation of Shakspeare, ii, 217
Schleiermacher, his essay on the Irony of Sophocles, ii, 217
Schlosser, his influence on Goethe at Leipsic, i, 58
Schöll, his publication of Goethe's note-book, i, 95
Schönemann,Anna Elizabeth, Goethe's affection for her under the name of Lili, i, 596. See Lili Schönkopf, Herr, literary society at his table d'hôte, i, 59 Schönkopf, Anna Katharina, Goethe's
love for her, i, 60, 63; lovers' quar- rels, 65; continuation of a friendly intercourse, 79; Goethe's letters to her from Frankfurt, 85; her en- gagement to Dr. Kanne, 87; final separation from Goethe, 90 School life of Goethe, i, 27; its effect, 30 Schröter, Corona, the Hofsängerin, account of, i, 333
Science, Goethe's passionate studies
in, ii, 31, 44, 114. See Botany, Op- tics, Mathematics, Anatomy Scott, Walter, translates Götz von Berlichingen, ii, 223; Goethe's ap- preciation of his works, 409; his letter to Goethe, 419 Scripture, Goethe's belief in, ii, 392 Seckendorf, i, 334 Sesenheim, i, 117
Seven Years' War, its effect on Goethe, i, 34
Shakspeare, difference between him and Goethe, i, 75; influence of
Dodd's Beauties of Shakspeare and Wieland's translations, 79; Shak- speare bigots, 128; Goethe's oration on Shakspeare, 129; comparison of Shakspeare's style with that of Goethe, ii, 73; composed no eulo- gies on his friends, 190; Wilhelm Meister's criticism on Hamlet, 213; translated by Tieck and Schlegel, 217; Goethe's attempt to recast Romeo and Juliet, 255; character of Shakspeare's play, ib.; Goethe's injurious alterations, 257 Shelley, his idea of Prometheus com- pared with Goethe's, i, 291 Skating made illustrious by Klop- stock, i, 150; Goethe's fondness for it, ib.; his exhibition before Maxi- miliane, 205; introduces it at Wei- mar, 343
Sleep, Goethe's talent for, ii, 263 Spinoza, i, 103; Goethe's studies of, i, 275, 280; their effect upon him, 281; ii, 48
Sprengel, recognizes Goethe's disco- very respecting the Metamorphoses of Plants, ii, 117
Stael, Madame de, her visit to Weimar, ii, 273; reason of Goethe's coldness towards her, 274
Stein, Fritz von, accompanies Goethe to the Hartz, ii, 42
Stein, Frau von, i, 338; account of her position and character, 357; Goethe falls in love with her, 358; his letters to her, 360; her influence on him, 380; her coquetry, 381; his letter to her relating his interviews with Frederika and Lili, ii, 28; his increased devotion, 34; his departure for Italy, 50; his coolness, 79; her reproaches, ib; her indignation at his liaison with Christiane, 93; his answers to her reproaches, ib.; the final rupture, 95; her letter concerning him twelve years after- wards, 97; her death, 420 Stella, composition of, i, 300; Canning's caricature, 302
Stilling, Jung, Goethe's first acquaint- ance with, i, 105
Stirbt der Fuchs so gilt der Balg, i, 107 Stoch, the engraver, his acquaintance with Goethe, i, 81
Stolberg, the two counts, their tour in Switzerland with Goethe, i, 303 Storm and Stress period, approach of, i, 140 Strasburg, Goethe's residence at, i, 93; the cathedral, 94; visit of Marie An-
Travelling, German, in the eighteenth century, i, 319
Triumph der Empfindsamkeit, Goe- the's extravaganza of, i, 382; its re- presentation, 390
toinette, 96; amusements at Stras- | Translations of poetry, inadequacy of, burg, 103; influences of Frederika, Herder, and the cathedral, 134 Subjective intellect, its tendency, i, 72 Suicide,coquetted with by Goethe,i, 197 Swanwick, Miss, her translation of the Iphigenia, ii, 15; of Tasso, 101 Switzerland, Goethe's tour in, with the two counts Stolberg, i, 303 Sylvius, his theory that man had lost the intermaxillary bone through luxury, ii, 136
Symbolical interpretation, extensive application of, ii, 272 Symbolism, Goethe's later tendencies towards it, ii, 402; symbolism in the second part of Faust, 425 Système de la Nature, Goethe's dis- gust at it, i, 96
Szymanowska, Madame, her enthusi- astic love for Goethe, ii, 417
TANNHAUSER legend, i, 235 Tasso, a series of faultless lines, but no drama, ii, 100; Miss Swanwick's translation of, 101; analysis of, 102; criticisms on, 112
Teutsche Haus at Wetzlar, i, 167 Textor, alderman, death of, ii, 174 Textor family, genealogical table of,i,11 Textor, the grandmother and grand- father of Goethe, i, 22
Textor, Katharina Elizabeth, mother
of Goethe, i, 9; her character, 12; her stories to her children, 21; her death, ii, 381
Thackeray, W. M., his letter to the author concerning Weimar and Goethe, ii, 442
Theatre, court, at Weimar, manage- ment of, undertaken by Goethe, ii, 162; its confined and pernicious in- fluence, 240; error of Goethe and Schiller, 241; Goethe's contempt of public opinion, 243; influence of the Jena students, 244; Goethe's despotism over the public and ac- tors, 245; difficulties in the manage- ment, 247; performance of Wallen- stein, ib.; Devrient's critical obser vations on the Weimar stage, 248; Goethe's refusal to admit perform- ing dogs, 260; dismissal of Goethe by Karl August, 261 Theatricals, private, at Weimar, i, 369; their excessive popularity, 370; open air performances, 371
Tieck and Schlegel's translation of Shakspeare, ii, 217 Toleration, moral, i, 77
Troost, Herr, i, 105
Type, importance of a creation of, in biological speculation, ii, 141; con- ception of, 154 Tyranny of ideas, i, 146
UNACTED dramatists, error of, ii, 242 Unities, erroneously supposed to be in-
separable from the Greek drama, ii, 9 Unity of composition in the animal
kingdom, great philosophical con- test between Cuvier and St. Hilaire concerning, ii, 436; importance of the doctrine recognized by Goethe and George Sand, 437
VALMY, defeat at, ii, 173 Venetian epigrams, ii, 161 Venice, Goethe's visit to, ii, 55 Venus, German idea of, compared with
the Greek Aphrodite, i, 235 Verdun, bombardment of, ii, 170 Vertebral theory, ii, 140; Goethe's claim to its discovery discussed, 156; Goethe the originator of the idea, but Oken the discoverer, 158; intemperate and equivocal character of Oken's accusation, 159 Vesalius, attacks Galen for indicating an intermaxillary bone, ii, 135 Vesuvius, Goethe's visit to, ii, 58 Voigt recognizes Goethe's discovery respecting the metamorphoses of plants, ii, 117 Volkspoesie, or national song, con- trasted with Kuntspoesie, or poetic art, i, 244
Von, influence of the title, at Weimar, i, 324
Voss, his "Luise" compared with
"Hermann und Dorothea", ii. 238 Vulpius, Christiane, her petition to Goethe in behalf of her brother, ii, 85; her position, education, and character, ib.; her subsequent con- nection with Goethe, 88; Goethe's love for her, 89; indignation of Wei- mar and the Frau von Stein, 93; her serious faults, 356; marriage with Goethe, 358; her death, 403
WAHLVERWANDTSCHAFTEN, the plot and character of, ii, 373
Wahre Genuss, der, Goethe's poem of, | Werther, costume of, i, 341
i, 65 Wallenstein, extent of Goethe's co- operation in, ii, 222 Wandering Jew, legend of, i, 284; Goe- the's idea of treating it epically, ib. Wanderjahre, Wilhelm Meister's, ii, 410; character of the work, 411; Eckermann's account of its exten- sion, 412; opposition to it in Ger- many, 414
War songs, Goethe's refusal to write them, ii, 387 Wartburg, the, i, 313
Weimar in the eighteenth century, description of, i, 309; the Wartburg, 313; banqueting hall of the minne- singers, ib.; annual meeting of the Bachs, ib.; the park, 314; legend of the serpent of Weimar, 317; charming environs, ib.; state of science in the eighteenth century, 318; absence of comfort and lux- ury, 319; rough and simple man- ners, 321; prices of things, 322; condition of the people, 323; ex- clusiveness of the court, 324; no real public for art, 325; notabilities of Weimar, 329; private theatricals at, 370; indignation at Goethe's obtaining the place of Geheimrath, ii, 28; grumblings at his absence in Italy, 57; establishment of a court theatre, see theatre; played no part in European politics, 193; entered by the French after the battle of Jena, 353; restoration of peace, 360; celebration of Goethe's jubilee, 417
Werther, countess von, i, 338 Werther, preparations for, i, 186; pe- riod of its composition, 210; account of Jerusalem's suicide, 212; cha racter of Werther, 218; Werther not Goethe, 219; bad English trans- lation, 220; simplicity of the con- struction of Werther, 221; its effect, 222; criticisms of Rosenkranz and Carlyle, ib.; objections of Lessing, 224; parody of Nicolai, 225; enthu- siasm of Zimmermann and Kotze- bue, 226; indignation of Kestner and Charlotte, 227; Goethe grows ashamed of Werther, 382; suicide of Fräulein von Lassberg, 389; sub- sequent alterations in Werther, ii, 37; criticism of Napoleon, 366
West-östliche Divan, its character, ii,
398; criticisms on, 399 Wetzlar, meagre account of, in Goe- the's autobiography, i, 166; the im- perial court of justice, 167; the Teutsche Haus, ib.; the round ta- ble and its knights, 168 Weyland introduces Goethe to the Brion family, i, 118
Wieland, his prose translations of Shakspeare, i, 79; his review of Götter, Helden, and Wieland, 207; the representative of German real- ism, 252; survey of his works, ib.; tutor of Karl August and friend of the duchess, 333; Napoleon's friendly reception of him, ii, 366; receives the cross of the legion of honour, 368; his death, 383 Wilhelm Meister, ii, 201; efforts to discover its meaning, 202; origin and progress of the work, 203; Gervinus's criticism on, 204; its twofold purpose, dramatic and edu- cational, 205; description of the characters, 206; artistic atheism, 210; its supposed immorality, 211; its deep and healthy moral mean ing, 212; extract from Schiller's criticism, 213
Wilhelm Meister's Wanderjahre, ii, 410; character of the work, 411; Eckermann's account of its exten- sion, 412; opposition to it in Ger- many, 414
William Tell, Goethe's plan of an epic on, ii, 222
Winckelmann, his influence on Goethe, i, 80
Witchcraft, German ideas of, i, 239 Wolf's Prolegomena to Homer, stu- died by Goethe, ii, 220
Wolff, Caspar Frederic, his early an- nouncement of the theory of the Metamorphoses of Plants, ii, 116; his theory not borrowed by Goethe, 142; his hypothesis of deficient sap opposed to Goethe's hypothesis of elaborated sap, 143
XENIEN, its publication, ii, 197; causes a tremendous sensation, 199
ZIMMERMANN, his enthusiastic admira- tion of Werther, i, 226
T. Richards, 37, Gt. Queen Street.
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