Johnson, Arnold, and Eliot as Literary HumanistsRobert Mary Drum, 1965 - 458 من الصفحات |
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الصفحة 70
... facts , but the fact to Eliot and Bradley is quite limited : " A fact , I would submit , is a point of attention which has only one aspect , or which can be treated under one aspect . A fact , then , is an ideal construction , and has ...
... facts , but the fact to Eliot and Bradley is quite limited : " A fact , I would submit , is a point of attention which has only one aspect , or which can be treated under one aspect . A fact , then , is an ideal construction , and has ...
الصفحة 94
... fact - the supposed fact ; it has attached its emotion to the fact . For poetry the idea is everything ; the rest is its world of illu- sion , of divine illusion ; it attaches its emotion to the idea , the idea is the fact.43 Then ...
... fact - the supposed fact ; it has attached its emotion to the fact . For poetry the idea is everything ; the rest is its world of illu- sion , of divine illusion ; it attaches its emotion to the idea , the idea is the fact.43 Then ...
الصفحة 118
... fact or to moral principle , and partially for other reasons , such as eloquence and effectiveness in persuasion ; or acceptance of poetry as a way of insight and truth differing from other ways . These attitudes continue to appear in ...
... fact or to moral principle , and partially for other reasons , such as eloquence and effectiveness in persuasion ; or acceptance of poetry as a way of insight and truth differing from other ways . These attitudes continue to appear in ...
عبارات ومصطلحات مألوفة
aesthetic beauty belief Bradley Bradley's Bradleyan Celtic Literature classical cognitive concept concern conscious considered Dante deriving discussion drama eighteenth century elements emotion Ernest de Selincourt F. H. Bradley feeling French Critic function of literature function of poetry Goethe harmony Hulme human nature humanist ideal ideas imaginative literature important insight interpret Kenyon Review knowing L. C. Knights language Literary Criticism literary humanism Lives London Matthew Arnold Maurice de Guérin meaning metaphysics mind modern moral notion object passages perceiving perception philosophy Plato pleasure poem poet poet's poetic poetry Preface prose quoted Rambler regard rejects relation religion religious Renaissance rhetoric Romantic Romanticism Samuel Johnson seen sense Shakespeare Shelley Shelley's sophist position stress style Super T. E. Hulme T. S. Eliot tend tendency theory things thought tion tradition unity universal view of poetry vision whole Wimsatt wisdom Wordsworth writes Yale Edition York