The Lycidas and Epitaphium Damonis of Milton, ed. with notes and intr. by C.S. Jerram, العدد 7121874 |
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الصفحة 25
... Royal Su- premacy , Authority of Church Sy- nods , Episcopacy , Established Order of Services , and condemn all im- pugners of Church order and disci- pline as hereby established . Milton , i . p . 309 , and also INTRODUCTION . 25.
... Royal Su- premacy , Authority of Church Sy- nods , Episcopacy , Established Order of Services , and condemn all im- pugners of Church order and disci- pline as hereby established . Milton , i . p . 309 , and also INTRODUCTION . 25.
الصفحة 52
... authority . Keight- ley instances Chapman , Hom . Od . viii . 499 , This sung the sacred Muse . ' Newton's reference to Sams . Ag . 973 is not quite apposite , as Fame is there introduced in her " proper character as a divinity , though ...
... authority . Keight- ley instances Chapman , Hom . Od . viii . 499 , This sung the sacred Muse . ' Newton's reference to Sams . Ag . 973 is not quite apposite , as Fame is there introduced in her " proper character as a divinity , though ...
الصفحة 55
... authority for such usage is more than doubt- ful . Theocritus speaks only of reeds ( κάλαμος , αὐλός , δῶναξ ) , or of the Pan's pipe ( ovply ) . Lucretius in the celebrated passage , v . 1382 foll . , adds the hemlock pipe ( cicuta ) ...
... authority for such usage is more than doubt- ful . Theocritus speaks only of reeds ( κάλαμος , αὐλός , δῶναξ ) , or of the Pan's pipe ( ovply ) . Lucretius in the celebrated passage , v . 1382 foll . , adds the hemlock pipe ( cicuta ) ...
الصفحة 63
... authority ; for in an Orphic Hymn ( quoted by Sympson ) the θεαὶ μοῖραι are styled οφιοπλόκαμοι , which is a proper epithet of the Furies . Langhorne in his Elegy on the Death of Handel speaks of ' the grim fury's breast . ' Cf. Lloyd ...
... authority ; for in an Orphic Hymn ( quoted by Sympson ) the θεαὶ μοῖραι are styled οφιοπλόκαμοι , which is a proper epithet of the Furies . Langhorne in his Elegy on the Death of Handel speaks of ' the grim fury's breast . ' Cf. Lloyd ...
الصفحة 69
... authority . Dante ( Inferno , xxvii . ) makes Pope Boniface say- ' Lo ciel poss ' io serrare e disser- rare , Come tu sai ; però son due le chiavi . ' In the ode In Quintum Novembris Milton speaks merely of Apo- stolicæ custodia clavis ...
... authority . Dante ( Inferno , xxvii . ) makes Pope Boniface say- ' Lo ciel poss ' io serrare e disser- rare , Come tu sai ; però son due le chiavi . ' In the ode In Quintum Novembris Milton speaks merely of Apo- stolicæ custodia clavis ...
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عبارات ومصطلحات مألوفة
agni allusion bleating Church Comus criticism crost Your hapless Damon Daphnis death derivation Diodati domino jam domum impasti Drayton Eclogue edition Elegy English Epit Epitaphium Damonis epithet expression Faery Queen Fame flock foll fortune crost Go unpastured Gorlois Greek hæc hapless master Hence Il Penseroso imitated Italian jam non vacat Keightley King L'Allegro lambs language Latin letter lines lost Low Latin Lycidas master now heeds meaning mihi Milton monody Mopsus Moschus Muse Newton nunc nymphs oaten original Ovid passage pastoral poetry pipe poem poet poetical probably Professor Masson Puritan Purple Island quæ quid quoque quotes reference remarks Return unfed rime Samuel Boyse says sense Shaksp Shakspere shepherds sing song speaks Spen Spenser swain thee Theocritus thou Thyrsis tibi tion Todd translation ulmo verb verse Virg Virgil Warton word
مقاطع مشهورة
الصفحة 88 - Where the great Vision of the guarded mount Looks toward Namancos and Bayona's hold. Look homeward, Angel, now, and melt with ruth: And, O ye dolphins, waft the hapless youth.
الصفحة 67 - Next, Camus, reverend sire, went footing slow, His mantle hairy, and his bonnet sedge, Inwrought with figures dim, and on the edge Like to that sanguine flower inscribed with woe.
الصفحة 92 - Through the dear might of him that walked the waves. Where other groves and other streams along, With nectar pure his oozy locks he laves, And hears the unexpressive nuptial song, In the blest kingdoms meek of joy and love.
الصفحة 54 - We drove a-field, and both together heard What time the gray-fly winds her sultry horn, Battening our flocks with the fresh dews of night, Oft till the star that rose at evening, bright, Toward heaven's descent had sloped his westering wheel.
الصفحة 91 - Weep no more, woeful shepherds, weep no more; For Lycidas, your sorrow, is not dead, Sunk though he be beneath the watery floor. So sinks the day-star in the ocean bed, And yet anon repairs his drooping head, And tricks his beams, and with new-spangled ore Flames in the forehead of the morning sky...
الصفحة 76 - Return, Alpheus, the dread voice is past That shrunk thy streams ; return, Sicilian Muse, And call the vales, and bid them hither cast Their bells, and flowerets of a thousand hues. Ye valleys low, where the mild whispers use Of shades, and wanton winds, and gushing brooks, On whose fresh lap the swart star sparely looks, Throw hither all your quaint enamelled eyes, That on the green turf suck the honied showers, And purple all the ground with vernal flowers.
الصفحة 49 - Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer.
الصفحة 65 - Fame is no plant that grows on mortal soil, Nor in the glistering foil Set off to the world, nor in broad rumour lies, But lives and spreads aloft by those pure eyes And perfect witness of all-judging Jove; As he pronounces lastly on each deed, Of so much fame in heaven expect thy meed.
الصفحة 78 - O Proserpina, For the flowers now, that frighted thou let'st fall From Dis's waggon ! daffodils, That come before the swallow dares, and take The winds of March with beauty ; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath ; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
الصفحة 56 - Tempered to the oaten flute, Rough satyrs danced, and fauns with cloven heel From the glad sound would not be absent long; And old Damoetas loved to hear our song. But O the heavy change, now thou art gone, Now thou art gone, and never must return!