The Art of ActingF. F. Mackay, 1913 - 295 من الصفحات |
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الصفحة 33
... anger , or whatever emotion or phase of an emotion is presented . In the art of acting , sensation may be absent but judgment resulting from observation and comparison must , through the faculty of memory , and the mimetic force ...
... anger , or whatever emotion or phase of an emotion is presented . In the art of acting , sensation may be absent but judgment resulting from observation and comparison must , through the faculty of memory , and the mimetic force ...
الصفحة 34
... anger , or whatever emotion the author may be describing by his situations , may be cited two or three illustrations that are familiar to actors and are perhaps worth the consideration of the public as facts that will enable them to ...
... anger , or whatever emotion the author may be describing by his situations , may be cited two or three illustrations that are familiar to actors and are perhaps worth the consideration of the public as facts that will enable them to ...
الصفحة 66
... anger , grief and many other names describing various phases of these emotions all gathered under the generic term " passion . " Self - love must not be confounded with selfish- ness . Selfishness is a static condition of the ego to ...
... anger , grief and many other names describing various phases of these emotions all gathered under the generic term " passion . " Self - love must not be confounded with selfish- ness . Selfishness is a static condition of the ego to ...
الصفحة 71
... anger , etc. These emo- tions are either elating , and therefore tensive in their muscular action , or they are depressing and consequently relaxing to the muscular system . Again , each emotion is a sign of good or evil intention ...
... anger , etc. These emo- tions are either elating , and therefore tensive in their muscular action , or they are depressing and consequently relaxing to the muscular system . Again , each emotion is a sign of good or evil intention ...
الصفحة 72
... anger - male- volent in its nature , expulsive in utterance , slow in movement , orotund and pectoral in tone , a ... anger . Love and anger do not blend in the pro- duction of jealousy , but the separate sensations crystallize as they ...
... anger - male- volent in its nature , expulsive in utterance , slow in movement , orotund and pectoral in tone , a ... anger . Love and anger do not blend in the pro- duction of jealousy , but the separate sensations crystallize as they ...
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actor actress anger art of acting auditor Banquo begets called Camille character circumflex inflection compound question death direct rising double action dramatic art dramatic artist dramatic composition effect elementary sounds emotion eyes factor of expression falling inflection feeling gesture Ghost grief Hamlet head tone Horatio horror human illustration impassioned force impressional impressions Juliet Lady Macbeth laugh laughter lines matic median stress ment mental action Merchant of Venice Michael Cassio mind mode of utterance movement muscle muscular system natural language ness Othello outburst phrase physical play pose powerful factor present pression quality of voice Queen Mab re-present result Romeo Romeo and Juliet says scene seek self-love sensation Shakespeare's Shylock sion speak speaker speech strength stress of tremor subtonics suppressed force theatre Thespis thou thought tion tonic elements true truth Tubal ture Tybalt ural language vocal voice and brains words