The Art of ActingF. F. Mackay, 1913 - 295 من الصفحات |
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الصفحة 35
... , solid , earnest work , -a severe tax on nerve and muscle for the evening . There are many who believe that Mme . B. actually feels all the joys and sorrows described in the character of Camille , when she plays it 35 What is Acting ?
... , solid , earnest work , -a severe tax on nerve and muscle for the evening . There are many who believe that Mme . B. actually feels all the joys and sorrows described in the character of Camille , when she plays it 35 What is Acting ?
الصفحة 77
... the emotions , Shakespeare , described the vocal expression of this emotion is : " How silver sweet sound lovers ' tongues by night , Like softest music to attending ears . " In those two lines what a lesson for actors ; 77 Emotions.
... the emotions , Shakespeare , described the vocal expression of this emotion is : " How silver sweet sound lovers ' tongues by night , Like softest music to attending ears . " In those two lines what a lesson for actors ; 77 Emotions.
الصفحة 79
... described as being in love with one's own voice . But there is still an- other cause for the habit of impinging sound on sound . This form of utterance becomes an as- sistant to memory . The abrupt pause — the en- tire cessation of ...
... described as being in love with one's own voice . But there is still an- other cause for the habit of impinging sound on sound . This form of utterance becomes an as- sistant to memory . The abrupt pause — the en- tire cessation of ...
الصفحة 85
... described without a single movement , except the movements of the vocal and articulating organs . That words are artificial , and may mean any- thing by agreement , will perhaps be clearly shown if we write the word " pain " on the ...
... described without a single movement , except the movements of the vocal and articulating organs . That words are artificial , and may mean any- thing by agreement , will perhaps be clearly shown if we write the word " pain " on the ...
الصفحة 112
... described ; but it is not less natural than the head tone and the orotund . The pectoral quality is much lower in reso- nance than the orotund , and seems to come into action as a part of expression at that point where 112 The Art of ...
... described ; but it is not less natural than the head tone and the orotund . The pectoral quality is much lower in reso- nance than the orotund , and seems to come into action as a part of expression at that point where 112 The Art of ...
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actor actress anger art of acting auditor Banquo begets called Camille character circumflex inflection compound question death direct rising double action dramatic art dramatic artist dramatic composition effect elementary sounds emotion eyes factor of expression falling inflection feeling gesture Ghost grief Hamlet head tone Horatio horror human illustration impassioned force impressional impressions Juliet Lady Macbeth laugh laughter lines matic median stress ment mental action Merchant of Venice Michael Cassio mind mode of utterance movement muscle muscular system natural language ness Othello outburst phrase physical play pose powerful factor present pression quality of voice Queen Mab re-present result Romeo Romeo and Juliet says scene seek self-love sensation Shakespeare's Shylock sion speak speaker speech strength stress of tremor subtonics suppressed force theatre Thespis thou thought tion tonic elements true truth Tubal ture Tybalt ural language vocal voice and brains words