The Art of ActingF. F. Mackay, 1913 - 295 من الصفحات |
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الصفحة 33
... the faculty of memory , and the mimetic force , direct the physical action so as to produce a like- ness of the emotion . In proof of the position here assumed , that the art of acting does not necessitate , on the part 33 What is Acting ?
... the faculty of memory , and the mimetic force , direct the physical action so as to produce a like- ness of the emotion . In proof of the position here assumed , that the art of acting does not necessitate , on the part 33 What is Acting ?
الصفحة 73
... direct or to ex- haust the forces combining against the desired happiness of the being . Jealousy presents itself In voice it runs through in ever - varying ways . every tone or quality , and with all degrees of force . At other times ...
... direct or to ex- haust the forces combining against the desired happiness of the being . Jealousy presents itself In voice it runs through in ever - varying ways . every tone or quality , and with all degrees of force . At other times ...
الصفحة 159
... direct line is heard in both the rising and the falling inflections . Here , then , are two variations in the inflection of the voice from its starting point . The first two inflections of the voice are a direct rising inflection and a ...
... direct line is heard in both the rising and the falling inflections . Here , then , are two variations in the inflection of the voice from its starting point . The first two inflections of the voice are a direct rising inflection and a ...
الصفحة 160
... Direct Falling Inflection . The Circumflex Rising Inflection . The Circumflex Falling Inflection . The Compound ... Direct Rising Inflection in nature , is simplicity of mental action and contin- uity of thought . The cause of the Direct ...
... Direct Falling Inflection . The Circumflex Rising Inflection . The Circumflex Falling Inflection . The Compound ... Direct Rising Inflection in nature , is simplicity of mental action and contin- uity of thought . The cause of the Direct ...
الصفحة 161
... Direct Inflection ; but the divergence from the direct line of action indicates mental duplicity or double action of the mind . This can readily be shown by the lines of a right angled triangle . The direct rising or the direct falling ...
... Direct Inflection ; but the divergence from the direct line of action indicates mental duplicity or double action of the mind . This can readily be shown by the lines of a right angled triangle . The direct rising or the direct falling ...
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actor actress anger art of acting auditor Banquo begets called Camille character circumflex inflection compound question death direct rising double action dramatic art dramatic artist dramatic composition effect elementary sounds emotion eyes factor of expression falling inflection feeling gesture Ghost grief Hamlet head tone Horatio horror human illustration impassioned force impressional impressions Juliet Lady Macbeth laugh laughter lines matic median stress ment mental action Merchant of Venice Michael Cassio mind mode of utterance movement muscle muscular system natural language ness Othello outburst phrase physical play pose powerful factor present pression quality of voice Queen Mab re-present result Romeo Romeo and Juliet says scene seek self-love sensation Shakespeare's Shylock sion speak speaker speech strength stress of tremor subtonics suppressed force theatre Thespis thou thought tion tonic elements true truth Tubal ture Tybalt ural language vocal voice and brains words