The Art of ActingF. F. Mackay, 1913 - 295 من الصفحات |
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الصفحة 12
... emotions of the mind . The basic principle of all mental expression by physical action is the mimetic power . All men are not born great ; nor do all men in- herit mimetic power in equal degrees . The object of this work is to present a ...
... emotions of the mind . The basic principle of all mental expression by physical action is the mimetic power . All men are not born great ; nor do all men in- herit mimetic power in equal degrees . The object of this work is to present a ...
الصفحة 18
... emotions , but the actor re - presents ✓the emotions themselves . He stands their em- bodiment . He not only arouses the passion , but he begets motion in the sympathies he awakens , and compels an immediate demonstration for or ...
... emotions , but the actor re - presents ✓the emotions themselves . He stands their em- bodiment . He not only arouses the passion , but he begets motion in the sympathies he awakens , and compels an immediate demonstration for or ...
الصفحة 32
... emotions by a just expression of the artificial and the natural language . Taste and feeling are not arts . Acting is an art ; therefore , acting is not a mere matter of taste and feeling . Taste and feeling are , however , necessary to ...
... emotions by a just expression of the artificial and the natural language . Taste and feeling are not arts . Acting is an art ; therefore , acting is not a mere matter of taste and feeling . Taste and feeling are , however , necessary to ...
الصفحة 33
... emotion or phase of an emotion is presented . In the art of acting , sensation may be absent but judgment resulting from observation and comparison must , through the faculty of memory , and the mimetic force , direct the physical ...
... emotion or phase of an emotion is presented . In the art of acting , sensation may be absent but judgment resulting from observation and comparison must , through the faculty of memory , and the mimetic force , direct the physical ...
الصفحة 34
... emotion the author may be describing by his situations , may be cited two or three illustrations that are familiar ... emotion , actually feel the sensation of the emotion they are re - present- ing . Now this theory of feeling is just ...
... emotion the author may be describing by his situations , may be cited two or three illustrations that are familiar ... emotion , actually feel the sensation of the emotion they are re - present- ing . Now this theory of feeling is just ...
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actor actress anger art of acting auditor Banquo begets called Camille character circumflex inflection compound question death direct rising double action dramatic art dramatic artist dramatic composition effect elementary sounds emotion eyes factor of expression falling inflection feeling gesture Ghost grief Hamlet head tone Horatio horror human illustration impassioned force impressional impressions Juliet Lady Macbeth laugh laughter lines matic median stress ment mental action Merchant of Venice Michael Cassio mind mode of utterance movement muscle muscular system natural language ness Othello outburst phrase physical play pose powerful factor present pression quality of voice Queen Mab re-present result Romeo Romeo and Juliet says scene seek self-love sensation Shakespeare's Shylock sion speak speaker speech strength stress of tremor subtonics suppressed force theatre Thespis thou thought tion tonic elements true truth Tubal ture Tybalt ural language vocal voice and brains words