The Art of ActingF. F. Mackay, 1913 - 295 من الصفحات |
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الصفحة 7
... GESTURE AND POSE 189 LAUGHTER 215 • CRYING AND WEEping PERSONAL MAGNETISM 227 240 DRAMA 246 • THE DRAMATIC DIRECTOR 261 MAKE - UP 278 ANALYSIS OF THE DRAMATIC COMPOSITION 289 331044 1 T my sons - Charles , William , and.
... GESTURE AND POSE 189 LAUGHTER 215 • CRYING AND WEEping PERSONAL MAGNETISM 227 240 DRAMA 246 • THE DRAMATIC DIRECTOR 261 MAKE - UP 278 ANALYSIS OF THE DRAMATIC COMPOSITION 289 331044 1 T my sons - Charles , William , and.
الصفحة 12
... gesture , the passion and the emotions of the mind . The basic principle of all mental expression by physical action is the mimetic power . All men are not born great ; nor do all men in- herit mimetic power in equal degrees . The ...
... gesture , the passion and the emotions of the mind . The basic principle of all mental expression by physical action is the mimetic power . All men are not born great ; nor do all men in- herit mimetic power in equal degrees . The ...
الصفحة 33
... gesture . In nature all of these factors are active in the presentation of joy , sorrow , anger , or whatever emotion or phase of an emotion is presented . In the art of acting , sensation may be absent but judgment resulting from ...
... gesture . In nature all of these factors are active in the presentation of joy , sorrow , anger , or whatever emotion or phase of an emotion is presented . In the art of acting , sensation may be absent but judgment resulting from ...
الصفحة 43
... gesture are the signs of the author's mental in- tention . Not only does the theory of acting by feeling retard the art by obscuring from the actors the necessity of study , but it must necessarily often destroy the intention of the ...
... gesture are the signs of the author's mental in- tention . Not only does the theory of acting by feeling retard the art by obscuring from the actors the necessity of study , but it must necessarily often destroy the intention of the ...
الصفحة 56
... of voice , pose and gesture , through which sensation presents itself in nature . And the question , " If acting is all technique , why cannot every man with a good voice and brains act ' Hamlet ? " " is 56 The Art of Acting.
... of voice , pose and gesture , through which sensation presents itself in nature . And the question , " If acting is all technique , why cannot every man with a good voice and brains act ' Hamlet ? " " is 56 The Art of Acting.
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actor actress anger art of acting auditor Banquo begets called Camille character circumflex inflection compound question death direct rising double action dramatic art dramatic artist dramatic composition effect elementary sounds emotion eyes factor of expression falling inflection feeling gesture Ghost grief Hamlet head tone Horatio horror human illustration impassioned force impressional impressions Juliet Lady Macbeth laugh laughter lines matic median stress ment mental action Merchant of Venice Michael Cassio mind mode of utterance movement muscle muscular system natural language ness Othello outburst phrase physical play pose powerful factor present pression quality of voice Queen Mab re-present result Romeo Romeo and Juliet says scene seek self-love sensation Shakespeare's Shylock sion speak speaker speech strength stress of tremor subtonics suppressed force theatre Thespis thou thought tion tonic elements true truth Tubal ture Tybalt ural language vocal voice and brains words