The Art of ActingF. F. Mackay, 1913 - 295 من الصفحات |
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الصفحة 61
... plays and limit the qualifications cf actors ; and yet , so im- properly are these words used that they do not clearly limit nor define anything . We hear of W " emotional plays , " and " situations with strong 61 What is Acting ?
... plays and limit the qualifications cf actors ; and yet , so im- properly are these words used that they do not clearly limit nor define anything . We hear of W " emotional plays , " and " situations with strong 61 What is Acting ?
الصفحة 80
... hear this effect of the voice in all themes of tenderness - sentiments of love and friendship . With light force it prevails in the language of melancholy , and awakens sympathy in the tones of regret . And even when force or loudness ...
... hear this effect of the voice in all themes of tenderness - sentiments of love and friendship . With light force it prevails in the language of melancholy , and awakens sympathy in the tones of regret . And even when force or loudness ...
الصفحة 87
... hear it in father , and the long sound of e . And the sound made in pronouncing the alphabetical a is made up of a sound that is only found in itself , and the long or alphabetical sound of e . These forty - two elementary sounds may be ...
... hear it in father , and the long sound of e . And the sound made in pronouncing the alphabetical a is made up of a sound that is only found in itself , and the long or alphabetical sound of e . These forty - two elementary sounds may be ...
الصفحة 92
... hear people , even in the mid- dle distance of the auditorium of a theatre in- quiring of a neighbor , with an apology for the intrusion , - " What did he say ? I didn't hear him . " Of course , the inquirer did hear but did not ...
... hear people , even in the mid- dle distance of the auditorium of a theatre in- quiring of a neighbor , with an apology for the intrusion , - " What did he say ? I didn't hear him . " Of course , the inquirer did hear but did not ...
الصفحة 107
... hear in nature un- der varying circumstances , may be divided for dramatic purposes into three qualities agreeing with the place of principal resonance , as : Head tone , because the place of principal resonance is L in the head ...
... hear in nature un- der varying circumstances , may be divided for dramatic purposes into three qualities agreeing with the place of principal resonance , as : Head tone , because the place of principal resonance is L in the head ...
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actor actress anger art of acting auditor Banquo begets called Camille character circumflex inflection compound question death direct rising double action dramatic art dramatic artist dramatic composition effect elementary sounds emotion eyes factor of expression falling inflection feeling gesture Ghost grief Hamlet head tone Horatio horror human illustration impassioned force impressional impressions Juliet Lady Macbeth laugh laughter lines matic median stress ment mental action Merchant of Venice Michael Cassio mind mode of utterance movement muscle muscular system natural language ness Othello outburst phrase physical play pose powerful factor present pression quality of voice Queen Mab re-present result Romeo Romeo and Juliet says scene seek self-love sensation Shakespeare's Shylock sion speak speaker speech strength stress of tremor subtonics suppressed force theatre Thespis thou thought tion tonic elements true truth Tubal ture Tybalt ural language vocal voice and brains words