The Art of ActingF. F. Mackay, 1913 - 295 من الصفحات |
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الصفحة 25
... language , " Nature " and " Art , " limit and define the universe of things . Art is not Nature , for the reason that Nature is created and Art is made , and again , — * Coquelin . Art is not Nature for the reason that Nature re 25 WHAT ...
... language , " Nature " and " Art , " limit and define the universe of things . Art is not Nature , for the reason that Nature is created and Art is made , and again , — * Coquelin . Art is not Nature for the reason that Nature re 25 WHAT ...
الصفحة 32
... language . Taste and feeling are not arts . Acting is an art ; therefore , acting is not a mere matter of taste and feeling . Taste and feeling are , however , necessary to the art of acting . And although the function of taste in ...
... language . Taste and feeling are not arts . Acting is an art ; therefore , acting is not a mere matter of taste and feeling . Taste and feeling are , however , necessary to the art of acting . And although the function of taste in ...
الصفحة 42
... language , indicates the same inability to arrive at just conclusions that would be manifested by a mariner who , be- caused his ship was propelled by an engine of ten thousand horse power , should attempt to cross the ocean without ...
... language , indicates the same inability to arrive at just conclusions that would be manifested by a mariner who , be- caused his ship was propelled by an engine of ten thousand horse power , should attempt to cross the ocean without ...
الصفحة 44
... language that their kind and their degree are through his medium made known . Macbeth and Othello , Ophelia , Lady Macbeth and Desdemona have long been recognized as distinct characters , as susceptible to mental form- ation and ...
... language that their kind and their degree are through his medium made known . Macbeth and Othello , Ophelia , Lady Macbeth and Desdemona have long been recognized as distinct characters , as susceptible to mental form- ation and ...
الصفحة 45
... language so as to change the construction of Shakespeare's work , fitting it to their own peculiarities , until it ... language , it certainly has not the power to analyze and determine the meaning of words and phrases in artificial ...
... language so as to change the construction of Shakespeare's work , fitting it to their own peculiarities , until it ... language , it certainly has not the power to analyze and determine the meaning of words and phrases in artificial ...
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actor actress anger art of acting auditor Banquo begets called Camille character circumflex inflection compound question death direct rising double action dramatic art dramatic artist dramatic composition effect elementary sounds emotion eyes factor of expression falling inflection feeling gesture Ghost grief Hamlet head tone Horatio horror human illustration impassioned force impressional impressions Juliet Lady Macbeth laugh laughter lines matic median stress ment mental action Merchant of Venice Michael Cassio mind mode of utterance movement muscle muscular system natural language ness Othello outburst phrase physical play pose powerful factor present pression quality of voice Queen Mab re-present result Romeo Romeo and Juliet says scene seek self-love sensation Shakespeare's Shylock sion speak speaker speech strength stress of tremor subtonics suppressed force theatre Thespis thou thought tion tonic elements true truth Tubal ture Tybalt ural language vocal voice and brains words