The Art of ActingF. F. Mackay, 1913 - 295 من الصفحات |
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النتائج 1-5 من 28
الصفحة 33
... quality of music for a funeral or a jubilee ; yet the feeling that appears , or seems to be , in acting , is not ... voice , pose and gesture . In nature all of these factors are active in the presentation of joy , sorrow , anger , or ...
... quality of music for a funeral or a jubilee ; yet the feeling that appears , or seems to be , in acting , is not ... voice , pose and gesture . In nature all of these factors are active in the presentation of joy , sorrow , anger , or ...
الصفحة 58
... voice and brains act ' Hamlet ' up to the same standard of excellence ? " Now for the answer . It is not asserted by ... quality in the human mind , and the history of in- dividuals that make up the group of dramatic aspirants including " ...
... voice and brains act ' Hamlet ' up to the same standard of excellence ? " Now for the answer . It is not asserted by ... quality in the human mind , and the history of in- dividuals that make up the group of dramatic aspirants including " ...
الصفحة 59
... voices and brains whose mental and physical conditions , either in quantity or in quality , are exactly alike . Conse- quently , the quantity of the imitative quality ... voice and brains cannot act " Hamlet " up to the same standard of 59 ...
... voices and brains whose mental and physical conditions , either in quantity or in quality , are exactly alike . Conse- quently , the quantity of the imitative quality ... voice and brains cannot act " Hamlet " up to the same standard of 59 ...
الصفحة 73
... voice it runs through in ever - varying ways . every tone or quality , and with all degrees of force . At other times it is silent as to voice and shows itself in muscular action , from the twitch- ing of the facial muscles to the most ...
... voice it runs through in ever - varying ways . every tone or quality , and with all degrees of force . At other times it is silent as to voice and shows itself in muscular action , from the twitch- ing of the facial muscles to the most ...
الصفحة 78
... quality of voice , and seeking approba- tion for personal qualities , rather than for artistic merit , belies the emotion by the use of declama- tory force , making it bravado instead of an ex- pression of supplication and persuasion ...
... quality of voice , and seeking approba- tion for personal qualities , rather than for artistic merit , belies the emotion by the use of declama- tory force , making it bravado instead of an ex- pression of supplication and persuasion ...
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actor actress anger art of acting auditor Banquo begets called Camille character circumflex inflection compound question death direct rising double action dramatic art dramatic artist dramatic composition effect elementary sounds emotion eyes factor of expression falling inflection feeling gesture Ghost grief Hamlet head tone Horatio horror human illustration impassioned force impressional impressions Juliet Lady Macbeth laugh laughter lines matic median stress ment mental action Merchant of Venice Michael Cassio mind mode of utterance movement muscle muscular system natural language ness Othello outburst phrase physical play pose powerful factor present pression quality of voice Queen Mab re-present result Romeo Romeo and Juliet says scene seek self-love sensation Shakespeare's Shylock sion speak speaker speech strength stress of tremor subtonics suppressed force theatre Thespis thou thought tion tonic elements true truth Tubal ture Tybalt ural language vocal voice and brains words