The Art of ActingF. F. Mackay, 1913 - 295 من الصفحات |
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النتائج 1-5 من 21
الصفحة 22
... - formed , is a question that must always rest with the public . But it may not be inopportune to assert that the dramatic art , or art of acting , would make more rapid improvement if , like the art 22 The Art of Acting.
... - formed , is a question that must always rest with the public . But it may not be inopportune to assert that the dramatic art , or art of acting , would make more rapid improvement if , like the art 22 The Art of Acting.
الصفحة 27
... question were of oratory , poetry or painting , would we seek the artist of sixty - five , with his experience and years of successful work , and , more than all , with his certain knowledge of his art , or would we intrust the work to ...
... question were of oratory , poetry or painting , would we seek the artist of sixty - five , with his experience and years of successful work , and , more than all , with his certain knowledge of his art , or would we intrust the work to ...
الصفحة 48
... , after observing all her ac- tions and hearing her words , says : " More needs she the divine than the physi- cian . " And again , in reply to Macbeth's question- " How does your patient , doctor ? " the 48 The Art of Acting.
... , after observing all her ac- tions and hearing her words , says : " More needs she the divine than the physi- cian . " And again , in reply to Macbeth's question- " How does your patient , doctor ? " the 48 The Art of Acting.
الصفحة 56
... of the forms of voice , pose and gesture , through which sensation presents itself in nature . And the question , " If acting is all technique , why cannot every man with a good voice and brains act ' Hamlet ? " " is 56 The Art of Acting.
... of the forms of voice , pose and gesture , through which sensation presents itself in nature . And the question , " If acting is all technique , why cannot every man with a good voice and brains act ' Hamlet ? " " is 56 The Art of Acting.
الصفحة 57
... question of real and imitated emotions . This is in the first place misleading in its assumptions ; for it is not asserted by all professors of dramatic art that acting is all technique . And again , it is not asserted by any thoughtful ...
... question of real and imitated emotions . This is in the first place misleading in its assumptions ; for it is not asserted by all professors of dramatic art that acting is all technique . And again , it is not asserted by any thoughtful ...
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actor actress anger art of acting auditor Banquo begets called Camille character circumflex inflection compound question death direct rising double action dramatic art dramatic artist dramatic composition effect elementary sounds emotion eyes factor of expression falling inflection feeling gesture Ghost grief Hamlet head tone Horatio horror human illustration impassioned force impressional impressions Juliet Lady Macbeth laugh laughter lines matic median stress ment mental action Merchant of Venice Michael Cassio mind mode of utterance movement muscle muscular system natural language ness Othello outburst phrase physical play pose powerful factor present pression quality of voice Queen Mab re-present result Romeo Romeo and Juliet says scene seek self-love sensation Shakespeare's Shylock sion speak speaker speech strength stress of tremor subtonics suppressed force theatre Thespis thou thought tion tonic elements true truth Tubal ture Tybalt ural language vocal voice and brains words