The Art of ActingF. F. Mackay, 1913 - 295 من الصفحات |
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الصفحة 12
... sounds that fall upon his ear , from the bird note to the deep toned thunder ; while the painter , with lines and colors , tells the story that Nature reads to him through all her forms by light and shadow tinged . The dramatist and the ...
... sounds that fall upon his ear , from the bird note to the deep toned thunder ; while the painter , with lines and colors , tells the story that Nature reads to him through all her forms by light and shadow tinged . The dramatist and the ...
الصفحة 60
... , as it would be to object to the technique of the composer in arranging a se- quence of sounds to be called music . It is not im- probable to thinking people that some teachers of elocution object 60 The Art of Acting.
... , as it would be to object to the technique of the composer in arranging a se- quence of sounds to be called music . It is not im- probable to thinking people that some teachers of elocution object 60 The Art of Acting.
الصفحة 77
... Shakespeare , described the vocal expression of this emotion is : " How silver sweet sound lovers ' tongues by night , Like softest music to attending ears . " In those two lines what a lesson for actors ; 77 Emotions.
... Shakespeare , described the vocal expression of this emotion is : " How silver sweet sound lovers ' tongues by night , Like softest music to attending ears . " In those two lines what a lesson for actors ; 77 Emotions.
الصفحة 78
... sound , but we should talk for sense . So strong are the habits of tradition in the theatre , that the monotonous and rhythmical ef- fect heard in reading on the stage undoubtedly comes to us from the earliest times of plays in England ...
... sound , but we should talk for sense . So strong are the habits of tradition in the theatre , that the monotonous and rhythmical ef- fect heard in reading on the stage undoubtedly comes to us from the earliest times of plays in England ...
الصفحة 79
... sound on sound . This form of utterance becomes an as- sistant to memory . The abrupt pause — the en- tire cessation of sound - and change of inflections make a chasm in the action , over which the mind will not always successfully leap ...
... sound on sound . This form of utterance becomes an as- sistant to memory . The abrupt pause — the en- tire cessation of sound - and change of inflections make a chasm in the action , over which the mind will not always successfully leap ...
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actor actress anger art of acting auditor Banquo begets called Camille character circumflex inflection compound question death direct rising double action dramatic art dramatic artist dramatic composition effect elementary sounds emotion eyes factor of expression falling inflection feeling gesture Ghost grief Hamlet head tone Horatio horror human illustration impassioned force impressional impressions Juliet Lady Macbeth laugh laughter lines matic median stress ment mental action Merchant of Venice Michael Cassio mind mode of utterance movement muscle muscular system natural language ness Othello outburst phrase physical play pose powerful factor present pression quality of voice Queen Mab re-present result Romeo Romeo and Juliet says scene seek self-love sensation Shakespeare's Shylock sion speak speaker speech strength stress of tremor subtonics suppressed force theatre Thespis thou thought tion tonic elements true truth Tubal ture Tybalt ural language vocal voice and brains words