The Art of ActingF. F. Mackay, 1913 - 295 من الصفحات |
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الصفحة 7
... STRESS 137 PITCH AND INFLECTION 156 TIME 173 GESTURE AND POSE 189 LAUGHTER 215 • CRYING AND WEEping PERSONAL MAGNETISM 227 240 DRAMA 246 • THE DRAMATIC DIRECTOR 261 MAKE - UP 278 ANALYSIS OF THE DRAMATIC COMPOSITION 289 331044 1 T my ...
... STRESS 137 PITCH AND INFLECTION 156 TIME 173 GESTURE AND POSE 189 LAUGHTER 215 • CRYING AND WEEping PERSONAL MAGNETISM 227 240 DRAMA 246 • THE DRAMATIC DIRECTOR 261 MAKE - UP 278 ANALYSIS OF THE DRAMATIC COMPOSITION 289 331044 1 T my ...
الصفحة 72
... stress , and with a general tendency to downward inflection , as if seeking emphasis . Jealousy is a complex emotion , resulting from the alternate action of the sensations love and anger . Love and anger do not blend in the pro ...
... stress , and with a general tendency to downward inflection , as if seeking emphasis . Jealousy is a complex emotion , resulting from the alternate action of the sensations love and anger . Love and anger do not blend in the pro ...
الصفحة 80
... stress has the power to prevent the mind of the auditor from dwelling on the facts in a statement by im- pressing the hearer with a conception of intense feeling on the part of the speaker , which concep- tion begets feeling in the ...
... stress has the power to prevent the mind of the auditor from dwelling on the facts in a statement by im- pressing the hearer with a conception of intense feeling on the part of the speaker , which concep- tion begets feeling in the ...
الصفحة 81
... stress is often seen in camp - meeting oratory , where both men and women are sometimes thrown into spasms , and physically prostrated by its power . These factors in expression should have no place in didactic matter where the appeal ...
... stress is often seen in camp - meeting oratory , where both men and women are sometimes thrown into spasms , and physically prostrated by its power . These factors in expression should have no place in didactic matter where the appeal ...
الصفحة 82
... stress , time , inflections , pose and · gesture , factors of expression that present themselves so abundantly on every hand that we really never know their true value , until we attempt to invigorate the inanimate signs by which the ...
... stress , time , inflections , pose and · gesture , factors of expression that present themselves so abundantly on every hand that we really never know their true value , until we attempt to invigorate the inanimate signs by which the ...
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actor actress anger art of acting auditor Banquo begets called Camille character circumflex inflection compound question death direct rising double action dramatic art dramatic artist dramatic composition effect elementary sounds emotion eyes factor of expression falling inflection feeling gesture Ghost grief Hamlet head tone Horatio horror human illustration impassioned force impressional impressions Juliet Lady Macbeth laugh laughter lines matic median stress ment mental action Merchant of Venice Michael Cassio mind mode of utterance movement muscle muscular system natural language ness Othello outburst phrase physical play pose powerful factor present pression quality of voice Queen Mab re-present result Romeo Romeo and Juliet says scene seek self-love sensation Shakespeare's Shylock sion speak speaker speech strength stress of tremor subtonics suppressed force theatre Thespis thou thought tion tonic elements true truth Tubal ture Tybalt ural language vocal voice and brains words