The Art of ActingF. F. Mackay, 1913 - 295 من الصفحات |
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الصفحة
Frank Findley Mackay. Works by F. J. Mackay The Art of Acting Vocal Gymnastics ✓ The Emotional Analysis of Shakespeare's Dramatic Characters ( In Preparation ) t F.F.Mackay .
Frank Findley Mackay. Works by F. J. Mackay The Art of Acting Vocal Gymnastics ✓ The Emotional Analysis of Shakespeare's Dramatic Characters ( In Preparation ) t F.F.Mackay .
الصفحة 77
... , Shakespeare , described the vocal expression of this emotion is : " How silver sweet sound lovers ' tongues by night , Like softest music to attending ears . " In those two lines what a lesson for actors ; 77 Emotions.
... , Shakespeare , described the vocal expression of this emotion is : " How silver sweet sound lovers ' tongues by night , Like softest music to attending ears . " In those two lines what a lesson for actors ; 77 Emotions.
الصفحة 85
... vocal and articulating organs . That words are artificial , and may mean any- thing by agreement , will perhaps be clearly shown if we write the word " pain " on the blackboard and ask a Frenchman and an American to inter- pret it . The ...
... vocal and articulating organs . That words are artificial , and may mean any- thing by agreement , will perhaps be clearly shown if we write the word " pain " on the blackboard and ask a Frenchman and an American to inter- pret it . The ...
الصفحة 89
... vocal pictures , the study of the tonic elements of our language is of very great importance . . U As separatives and articulators , the subtonics U and atonics are deserving of very nice attention in the 89 Definitions.
... vocal pictures , the study of the tonic elements of our language is of very great importance . . U As separatives and articulators , the subtonics U and atonics are deserving of very nice attention in the 89 Definitions.
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actor actress anger art of acting auditor Banquo begets called Camille character circumflex inflection compound question death direct rising double action dramatic art dramatic artist dramatic composition effect elementary sounds emotion eyes factor of expression falling inflection feeling gesture Ghost grief Hamlet head tone Horatio horror human illustration impassioned force impressional impressions Juliet Lady Macbeth laugh laughter lines matic median stress ment mental action Merchant of Venice Michael Cassio mind mode of utterance movement muscle muscular system natural language ness Othello outburst phrase physical play pose powerful factor present pression quality of voice Queen Mab re-present result Romeo Romeo and Juliet says scene seek self-love sensation Shakespeare's Shylock sion speak speaker speech strength stress of tremor subtonics suppressed force theatre Thespis thou thought tion tonic elements true truth Tubal ture Tybalt ural language vocal voice and brains words