Johnson as CriticRoutledge & K. Paul, 1973 - 472 من الصفحات |
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النتائج 1-3 من 29
الصفحة 27
... beginning , a middle , and an end : it must begin at a point that is reasonably independent of anterior event and circumstance , end at a point which permits the mind to repose on a completed action , and in between must contain nothing ...
... beginning , a middle , and an end : it must begin at a point that is reasonably independent of anterior event and circumstance , end at a point which permits the mind to repose on a completed action , and in between must contain nothing ...
الصفحة 51
... beginning to creep across the well - tended lawn as Augustanism drew towards its evening . In this volume we are necessarily confined to extracts , though the large size of the book has permitted these to be on a generous scale ; but ...
... beginning to creep across the well - tended lawn as Augustanism drew towards its evening . In this volume we are necessarily confined to extracts , though the large size of the book has permitted these to be on a generous scale ; but ...
الصفحة 112
... beginning , a middle , and an end . The beginning is undoubtedly beautiful and proper , opening with a graceful abruptness , and proceeding naturally to a mournful recital of facts necessary to be known : Samson . A little onward lend ...
... beginning , a middle , and an end . The beginning is undoubtedly beautiful and proper , opening with a graceful abruptness , and proceeding naturally to a mournful recital of facts necessary to be known : Samson . A little onward lend ...
المحتوى
JOHNSON ON SHAKESPEARE | 43 |
Note on the Text and Acknowledgment | 58 |
EARLY PERIODICAL CRITICISM | 59 |
حقوق النشر | |
51 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action admiration Aeneid ancient appears attention beauties blank verse censure character comedy common composition considered Cowley criticism death delight dialogue diction dignity diligence drama Dryden easily easy edition effect elegance endeavoured English English poetry Essay excellence exhibit expression eyes F. R. Leavis Falstaff fancy faults genius give harmony heaven hexameter Hudibras human Iliad images imagination imitation Johnson judgment kind King knowledge labour language learning lines literary literature lived Lycidas Macbeth Metaphysical poets Milton mind moral nature never numbers observed opinion original Othello Paradise Lost passages passions pastoral perhaps play pleasing pleasure poem poet poetical poetry Pope praise produced reader reason remarks rhyme Samson Samson Agonistes Samuel Johnson says scarcely scenes seems sense sentiments Shakespeare sometimes sound supposed syllables thee things thou thought tion tragedy translation truth versification Virgil virtue Warburton words writer written