Johnson as CriticRoutledge & K. Paul, 1973 - 472 من الصفحات |
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الصفحة 61
... called Adamo , written by a player ; Dr. Pearce , that it was derived from an Italian tragedy called Il paradiso perso ; and Mr. Peck , that it was borrowed from a wild Romance . Any of these conjectures may possibly be true , but as ...
... called Adamo , written by a player ; Dr. Pearce , that it was derived from an Italian tragedy called Il paradiso perso ; and Mr. Peck , that it was borrowed from a wild Romance . Any of these conjectures may possibly be true , but as ...
الصفحة 184
... called Vincentio . This appears a very slight remark ; but since the duke has no name in the play , nor is ever mentioned but by his title , why should he be called Vincentio among the persons , but because the name was copied from the ...
... called Vincentio . This appears a very slight remark ; but since the duke has no name in the play , nor is ever mentioned but by his title , why should he be called Vincentio among the persons , but because the name was copied from the ...
الصفحة 326
... called , may be considered as owing its establishment to Dryden ; from whose time it is apparent that English poetry has had no tendency to relapse to its former savage- ness . The affluence and comprehension of our language is very ...
... called , may be considered as owing its establishment to Dryden ; from whose time it is apparent that English poetry has had no tendency to relapse to its former savage- ness . The affluence and comprehension of our language is very ...
المحتوى
JOHNSON ON SHAKESPEARE | 43 |
Note on the Text and Acknowledgment | 58 |
EARLY PERIODICAL CRITICISM | 59 |
حقوق النشر | |
51 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action admiration Aeneid ancient appears attention beauties blank verse censure character comedy common composition considered Cowley criticism death delight dialogue diction dignity diligence drama Dryden easily easy edition effect elegance endeavoured English English poetry Essay excellence exhibit expression eyes F. R. Leavis Falstaff fancy faults genius give harmony heaven hexameter Hudibras human Iliad images imagination imitation Johnson judgment kind King knowledge labour language learning lines literary literature lived Lycidas Macbeth Metaphysical poets Milton mind moral nature never numbers observed opinion original Othello Paradise Lost passages passions pastoral perhaps play pleasing pleasure poem poet poetical poetry Pope praise produced reader reason remarks rhyme Samson Samson Agonistes Samuel Johnson says scarcely scenes seems sense sentiments Shakespeare sometimes sound supposed syllables thee things thou thought tion tragedy translation truth versification Virgil virtue Warburton words writer written