Johnson as CriticRoutledge & K. Paul, 1973 - 472 من الصفحات |
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الصفحة 162
... easily conceived as a passage of hours . In contemplation we easily contract the time of real actions , and therefore willingly permit it to be contracted when we only see their imitation . It will be asked , how the drama moves , if it ...
... easily conceived as a passage of hours . In contemplation we easily contract the time of real actions , and therefore willingly permit it to be contracted when we only see their imitation . It will be asked , how the drama moves , if it ...
الصفحة 325
... easily escape a manner , such a recurrence of particular modes as may be easily noted . Dryden is always another and the same , he does not exhibit a second time the same elegances in the same form , nor appears to have any art other ...
... easily escape a manner , such a recurrence of particular modes as may be easily noted . Dryden is always another and the same , he does not exhibit a second time the same elegances in the same form , nor appears to have any art other ...
الصفحة 338
... easily selected and retained . Thus the description of Night in the Indian Emperor , and the rise and fall of empire in the Conquest of Granada , are more frequently repeated than any lines in All for Love , or Don Sebastian . To search ...
... easily selected and retained . Thus the description of Night in the Indian Emperor , and the rise and fall of empire in the Conquest of Granada , are more frequently repeated than any lines in All for Love , or Don Sebastian . To search ...
المحتوى
JOHNSON ON SHAKESPEARE | 43 |
Note on the Text and Acknowledgment | 58 |
EARLY PERIODICAL CRITICISM | 59 |
حقوق النشر | |
51 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action admiration Aeneid ancient appears attention beauties blank verse censure character comedy common composition considered Cowley criticism death delight dialogue diction dignity diligence drama Dryden easily easy edition effect elegance endeavoured English English poetry Essay excellence exhibit expression eyes F. R. Leavis Falstaff fancy faults genius give harmony heaven hexameter Hudibras human Iliad images imagination imitation Johnson judgment kind King knowledge labour language learning lines literary literature lived Lycidas Macbeth Metaphysical poets Milton mind moral nature never numbers observed opinion original Othello Paradise Lost passages passions pastoral perhaps play pleasing pleasure poem poet poetical poetry Pope praise produced reader reason remarks rhyme Samson Samson Agonistes Samuel Johnson says scarcely scenes seems sense sentiments Shakespeare sometimes sound supposed syllables thee things thou thought tion tragedy translation truth versification Virgil virtue Warburton words writer written