Johnson as CriticRoutledge & K. Paul, 1973 - 472 من الصفحات |
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النتائج 1-3 من 64
الصفحة 109
... kind : ' Tis in your nature , and your noble mind . Arim . I'll to the king , and strait my trust resign . Ind . His trust you may , but you shall never mine . Heaven made you love me for no other end , But to become my confidant and ...
... kind : ' Tis in your nature , and your noble mind . Arim . I'll to the king , and strait my trust resign . Ind . His trust you may , but you shall never mine . Heaven made you love me for no other end , But to become my confidant and ...
الصفحة 119
... kind is the following dialogue : Chor . But had we best retire ? I see a storm . Sams . Fair days have oft contracted wind and rain . Chor . But this another kind of tempest brings . Sams . Be less abstruse , my riddling days are past ...
... kind is the following dialogue : Chor . But had we best retire ? I see a storm . Sams . Fair days have oft contracted wind and rain . Chor . But this another kind of tempest brings . Sams . Be less abstruse , my riddling days are past ...
الصفحة 398
... kind . We owe to Gay the Ballad Opera ; a mode of comedy which at first was supposed to delight only by its novelty , but has now by the experience of half a century been found so well accommodated to the disposition of a popular ...
... kind . We owe to Gay the Ballad Opera ; a mode of comedy which at first was supposed to delight only by its novelty , but has now by the experience of half a century been found so well accommodated to the disposition of a popular ...
المحتوى
JOHNSON ON SHAKESPEARE | 43 |
Note on the Text and Acknowledgment | 58 |
EARLY PERIODICAL CRITICISM | 59 |
حقوق النشر | |
51 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action admiration Aeneid ancient appears attention beauties blank verse censure character comedy common composition considered Cowley criticism death delight dialogue diction dignity diligence drama Dryden easily easy edition effect elegance endeavoured English English poetry Essay excellence exhibit expression eyes F. R. Leavis Falstaff fancy faults genius give harmony heaven hexameter Hudibras human Iliad images imagination imitation Johnson judgment kind King knowledge labour language learning lines literary literature lived Lycidas Macbeth Metaphysical poets Milton mind moral nature never numbers observed opinion original Othello Paradise Lost passages passions pastoral perhaps play pleasing pleasure poem poet poetical poetry Pope praise produced reader reason remarks rhyme Samson Samson Agonistes Samuel Johnson says scarcely scenes seems sense sentiments Shakespeare sometimes sound supposed syllables thee things thou thought tion tragedy translation truth versification Virgil virtue Warburton words writer written