Johnson as CriticRoutledge & K. Paul, 1973 - 472 من الصفحات |
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الصفحة 9
... poet ; this disquisition culminates in irony , as the poet's task is set out in ever more ambitious terms , but its individual components are not ironic , and we are to believe him when he says that the poet must divest himself of the ...
... poet ; this disquisition culminates in irony , as the poet's task is set out in ever more ambitious terms , but its individual components are not ironic , and we are to believe him when he says that the poet must divest himself of the ...
الصفحة 20
... poets . ( No poet who has not settled his diction , either by deliberate choice or by happy instinct , can write anything effective . ) Johnson's attitude was typically Augustan ; it kept the well - paved high road open between the poet ...
... poets . ( No poet who has not settled his diction , either by deliberate choice or by happy instinct , can write anything effective . ) Johnson's attitude was typically Augustan ; it kept the well - paved high road open between the poet ...
الصفحة 140
... poet's eye in a fine frenzy rowling , Doth glance from heav'n to earth , from earth to heav'n ; And , as imagination bodies forth The forms of things unknown , the poet's pen Turns them to shape , and gives to ev'ry thing A local ...
... poet's eye in a fine frenzy rowling , Doth glance from heav'n to earth , from earth to heav'n ; And , as imagination bodies forth The forms of things unknown , the poet's pen Turns them to shape , and gives to ev'ry thing A local ...
المحتوى
JOHNSON ON SHAKESPEARE | 43 |
Note on the Text and Acknowledgment | 58 |
EARLY PERIODICAL CRITICISM | 59 |
حقوق النشر | |
51 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action admiration Aeneid ancient appears attention beauties blank verse censure character comedy common composition considered Cowley criticism death delight dialogue diction dignity diligence drama Dryden easily easy edition effect elegance endeavoured English English poetry Essay excellence exhibit expression eyes F. R. Leavis Falstaff fancy faults genius give harmony heaven hexameter Hudibras human Iliad images imagination imitation Johnson judgment kind King knowledge labour language learning lines literary literature lived Lycidas Macbeth Metaphysical poets Milton mind moral nature never numbers observed opinion original Othello Paradise Lost passages passions pastoral perhaps play pleasing pleasure poem poet poetical poetry Pope praise produced reader reason remarks rhyme Samson Samson Agonistes Samuel Johnson says scarcely scenes seems sense sentiments Shakespeare sometimes sound supposed syllables thee things thou thought tion tragedy translation truth versification Virgil virtue Warburton words writer written