Johnson as CriticRoutledge & K. Paul, 1973 - 472 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 75
الصفحة 77
... sentiments . The only reason , that I have read , on which this rule has been founded is , that , according to the customs of modern life , it is improbable that shepherds should be capable of harmonious numbers , or delicate sentiments ...
... sentiments . The only reason , that I have read , on which this rule has been founded is , that , according to the customs of modern life , it is improbable that shepherds should be capable of harmonious numbers , or delicate sentiments ...
الصفحة 166
... sentiments or human actions ; we place it with the fairest and the noblest progeny which judgment propagates by conjunction with learning , but Othello is the vigorous and vivacious offspring of observation impregnated by genius . Cato ...
... sentiments or human actions ; we place it with the fairest and the noblest progeny which judgment propagates by conjunction with learning , but Othello is the vigorous and vivacious offspring of observation impregnated by genius . Cato ...
الصفحة 170
... sentiments and descriptions immediately from knowledge ; the resemblance is therefore just , their descriptions are verified by every eye , and their sentiments acknowledged by every breast . Those whom their fame invites to the same ...
... sentiments and descriptions immediately from knowledge ; the resemblance is therefore just , their descriptions are verified by every eye , and their sentiments acknowledged by every breast . Those whom their fame invites to the same ...
المحتوى
JOHNSON ON SHAKESPEARE | 43 |
Note on the Text and Acknowledgment | 58 |
EARLY PERIODICAL CRITICISM | 59 |
حقوق النشر | |
51 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action admiration Aeneid ancient appears attention beauties blank verse censure character comedy common composition considered Cowley criticism death delight dialogue diction dignity diligence drama Dryden easily easy edition effect elegance endeavoured English English poetry Essay excellence exhibit expression eyes F. R. Leavis Falstaff fancy faults genius give harmony heaven hexameter Hudibras human Iliad images imagination imitation Johnson judgment kind King knowledge labour language learning lines literary literature lived Lycidas Macbeth Metaphysical poets Milton mind moral nature never numbers observed opinion original Othello Paradise Lost passages passions pastoral perhaps play pleasing pleasure poem poet poetical poetry Pope praise produced reader reason remarks rhyme Samson Samson Agonistes Samuel Johnson says scarcely scenes seems sense sentiments Shakespeare sometimes sound supposed syllables thee things thou thought tion tragedy translation truth versification Virgil virtue Warburton words writer written