Into the land of shadows, — all save one. Honor and reverence, and the good repute That follows faithful service as its fruit, Be unto lain, .whom living we salute. The great Italian poet, when he made His dreadful journey to the realms of shade, Met there the old instructor of his youth, And cried in tones of pity and of ruth: "O, never from the memory of my heart Your dear, paternal image shall depart, Who while on earth, ere yet by death surprised, Taught me how mortals are immortalized; How grateful am I for that patient care All my life long my language shall declare." To-day we make the poet's words our own, And utter them in plaintive undertone; Were part and parcel of great Nature's law; Who said not to their Lord, as if afraid, "Here is thy talent in a napkin laid," But labored in their sphere, as men who live In the delight that work alone can give. Peace be to them ; eternal peace and rest, And the fulfilment of the great behest: "Ye have been faithful over a few things, Over ten cities shall ye reign as kings." And ye who fill the places we once filled, And follow in the furrows that we tilled, Young men, whose generous hearts are beating high, We who are old, and are ahont to die, Salute you ; hail you; take your hands m ours, And crown you with our welcome as with flowers! How beautiful is youth ! how bright it gleams With its illusions, aspirations, dreams! Aladdin's Lamp, and Fortunatus' Purse, In its sublime audacity of faith, Ascends the ladder leaning on the cloud! As ancient Priam at the Scoean gate Chirping like grasshoppers in their delight To see the embattled hosts, with spear and shield, Of Trojans and Achaians in the field; So from the snowy summits of our years We see you in the plain, as each appears, And question of you ; asking, "Who is he That towers above the others? Which may be Atreides, Menelaus, Odysseus, Ajax the great, or bold Idomeneus?" Let him not boast who puts his armor on As he who puts it off, the battle done. Study yourselves; and most of all note well Wherein kind Nature meant you to excel. Not every blossom ripens into fruit; Minerva, the inventress of the flute, Flung it aside, when she her face surveyed Distorted in a fountain as she played; The unlucky Marsvas found it, and his fate Was one to make the bravest hesitate. Write on your doors the saying wise and old, "Be bold ! be bold!" and everywhere — " Be bold; Be not too bold!" Yet better the excess Than the defect; better the more than less; Better like Hector in the field to die, Than like a perfumed Paris turn and fly. And now, my classmates ; ye remaining few That number not the half of those we knew, Ye, against whose familiar names not . yet The fatal asterisk of death is set■ And summons us together once again, Where are the others? Voices from the deep Caverns of darkness answer me: "They sleep!" I name no names; instinctively I feel Each at some well-remembered grave will kneel, And from the inscription wipe the weeds and moss, For every heart best knoweth its own loss. I see their scattered gravestones gleaming white Through the pale dusk of the impending night; O'er all alike the impartial sunset throws Its golden lilies mingled with the rose; We give to each a tender thought, and pass Out of the graveyards with their tangled grass, Unto these scenes frequented by our feet When we were young, and life was fresh and sweet. What shall I say to you? What can I say Better than silence is? When I survey This throng of faces turned to meet my own, Friendly and fair, and yet to me unknown, Transformed the very landscape seems to be; It is the same, yet not the same to me. So many memories crowd upon my brain, So many ghosts are in the wooded plain, I fain would steal away, with noiseless tread, As from a house where some one lieth dead. I cannot go ; — I pause ;— I hesitate; To speak and cannot, to myself I seem. Vanish the dream! Vanish the idle fears! Vanish the lolling mists of fifty years! Ah me ! the fifty years since last we met Wherein are written the histories of ourselves. What tragedies, what comedies, are there; What joy and grief, what rapture and despair! What chronicles of triumph and defeat, Of struggle, and temptation, and retreat! What records of regrets, and doubts, and fears! What pages blotted, blistered by our tears! What lovely landscapes on the margin shine, What sweet, angelic faces, what divine And holy images of love and trust, Undimmed by age, unsoiled by damp or dust! Whose hand shall dare to open and explore These volumes, closed and clasped forevermore? Not mine. With reverential feet I pass; I hear a voice that cries, "Alas ! alas! Whatever hath been written shall remain, Nor be erased nor written o'er again; The unwritten only still belongs to thee: Take heed, and ponder well what that shall be." As children frightened by a thundercloud Are reassured if some one reads aloud A tale of wonder, with enchantment fraught, Or wild adventure, that diverts their thought, Let me endeavor with a tale to chase The gathering shadows of the time and place, And banish what we all too deeply feel Wholly to say, or wholly to conceal. In medineval Rome, I know not where, There stood an image with its arm in air, And on its lifted fmger, sinning clear, A golden ring with the device, "Strike here!" Greatly the people wondered, though none guessed . The meaning that these words but half expressed, Until a learned clerk, who at noonday With downcast eyes was passing on his way, Paused, and observed the spot, and marked it well, Whereon the shadow of the finger fell; And, coming back at midnight, delved, and found A secret stairway leading under ground. Down this he passed into a spacious hall, Lit by a flaming jewel on the wall; Upon its forehead, like a coronet, "That which I am, I am ; my fatal aim None can escape, not even yon luminous flame!" Midway the hall was a fair table placed, With cloth of gold, and golden cups enchased With rubies, and the plates and knives were gold, And gold the bread and viands manifold. Around it, silent, motionless, and sad, Were seated gallant knights in armor clad, And ladies beautiful with plume and zone, But they were stone, their hearts within were stone; And the vast hall was filled in every part With silent crowds, stony in face and heart. Long at the scene, bewildered and amazed The trembling clerk in speechless wonder gazed; Then from the table, by his greed made bold, He seized a goblet and a knife of gold, And suddenly from their seats the guests upsprang, The vaulted ceiling with loud clamors rang, The archer sped his arrow, at their call, Shattering the lambent jewel on the wall, And all was dark around and overhead;— Stark on the floor the luckless clerk lay dead! The writer of this legend then records Our lusts and passions are the downward stair That leads the soul from a diviner air; The archer, Death; the flaming jewel, Life; Terrestrial goods, the goblet and the knife; The knights and ladies, all whose flesh and bone By avarice have been hardened into stone; The clerk, the scholar whom the love of pelf Tempts from his books and from his nobler self. The scholar and the world! The endless strife, The discord in the harmonies of life! The love of learning, the sequestered nooks, And all the sweet serenity of books; The market-place, the eager love of gain, Whose aim is vanity, and whose end is pain! But why, vou ask me, should this tale be told To men grown old, or who are growing It is too late! Ah, nothing is too late Till the tired heart shall cease to palpitate. Cato learned Greek at eighty; Sophocles Wrote his grand (Edipus, and Siinonides Bore off the prize of verse from his compeers, When each had numbered more than fourscore years, And Theophrastus, at fourscore and ten, Had but began his Characters of Men Chaucer, at Woodstock with the nightingales, At sixty wrote the Canterbury Tales; Goethe at Weimar, toiling to the last, Completed Faust when eighty years were past. These are indeed exceptions; but they show How far the gulf-stream of our youth may flow Into the arctic regions of our lives, Where little else than life itself survives. As the barometer foretells the storm While still the skies are clear, the weather warm, So something in us, as old age draws near, Betrays the pressure of the atmosphere. The nimble mercury, ere we are aware, Descends the elastic ladder of the air; The telltale blood in artery and vein Sinks from its higher levels in the brain; It is not strength, but weakness; not desire, But its surcease ; not the fierce heat of fire, The burning and consuming element, But that of ashes and of embers spent, In which some living sparks we still discern, Enough to warm, but not enough to burn. What then? Shall we sit idly down and say The night hath come; it is no longer day? The night hath not yet come; we are not quite Cut off from labor by the failing light; For age is opportunity no less Than youth itself, though in another dress, And as the evening twilight fades away The sky is filled with stars, invisible by day. BIRDS OF PASSAGE. FLIGHT THE FOURTH. CHARLES SUMNER. Garlands upon his grave, And flowers upon his hearse, And to the tender heart and brave The tribute of this verse. His was the troubled life, The conflict and the pain, The grief, the bitterness of strife, The honor without stain. Like Winkelried, he took Into his manly breast The sheaf of hostile spears, and broke A path for the oppressed. Then from the fatal field Death takes ns by surprise, |